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郭強生在〈只問真實，不問潮流〉文章中提到自己在大學任教多年觀察到「不光是年輕的孩子，這年頭的人也越來越多已失去感 受的能力。」作家為何而寫？下苦功或是用巧力？郭強生自述：「不管是嚴肅的純文學或商業的類型小說，要能打動讀者造成風潮，其實都一樣的辛苦。」即便他自謙未曾有機會轉戰類型文學，但是在文學的長跑中從未劃地自限。因為「我念茲在茲的是『文學』，而不是自己的作品。」 -- Hosting provided by SoundOn
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