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那天，在费尔南多·佩索阿的故居，我翻到一本泛黄的《不安之书》。书页边缘的密密批注中，意外掉出了一张手稿。上面写着一个我从未听过的名字：罗一美。他是一位能在宋代与现代之间穿行的“遁世者”，在苏东坡笔下化雾而去，在1941年的日内瓦湖畔再次消失。我开始追查他的痕迹，翻阅图书馆旧档和佩索阿的手记，却发现，故事的边界开始模糊。他的笔迹出现在我笔记中，我的影子分裂成三，而我的声音，是否也正在被另一位“异己”接管？
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