Description
建筑师华莱士·哈里森（Wallace K. Harrison）的矛盾职业生涯，解析他如何成为曼哈顿主义从巅峰走向落幕的“见证者”与“参与者”。作为洛克菲勒中心、1939年世博会“光之城”与“民主之城”、联合国总部及林肯中心的核心设计者，他的作品里藏着一场隐秘对抗：一边是曼哈顿主义的“拥堵美学”——用曲线打破网格的僵硬，在“光之城”模型里让曼哈顿24小时生活浓缩为24分钟；一边是欧洲现代主义的理性入侵——在“民主之城”里植入勒·柯布西耶式的“塔楼公园”，在林肯中心剥离商业与文化的叠加，让建筑回归单一功能。
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