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说起古代中国的绘画颜料，虽然从原料上来讲口味不怎么重，但如果深究其成分的话，简单来说可以归结到——“毒、药”这两个字～什么是石色和水色？为什么中国画明明有那么多颜料，却又以水墨居多？赭石、土黄、头青、头绿、雌黄、雄黄、朱砂、朱膘、藤黄、花青，这些好听的颜料背后，又都有怎样的来历和成分？今天，让我们走进国画颜料的世界~
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