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“垮掉的一代”、“铁锈城市带”、以及更早的“肮脏三十年代”，年轻人在文明社会中的经济问题与个体孤独的冲击下，产生了无意识的群体逃离现象。在这群人的世界观里，逃离并不是逃避，而是一种与自己和解的方式。在今天的节目里，我们将在格罗菲的《大峡谷组曲》中，领略这种文化现象所衍生出来的公路美学。 作为一种带有逃离感的美学，它不仅仅局限于《在路上》里描绘的讨钱、偷油、追随他人的情景，而是更多地代表一种精神象征，在充满未知与不确定的旅途中珍藏起所有的震撼与震撼之余的遗憾。
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