“你是否想过，古希腊那些描绘着众神与英雄的绚烂艺术，在诞生之前，曾经历过一个极度抽象、充满秩序的‘几何时代’？而在它之后，又为何会突然转向充满东方异兽的‘神话动物园’？本期节目，我们将通过两件国宝级的陶罐，亲身体验这场发生在公元前8世纪的古希腊艺术巨变。• 图一：几何时代的“秩序宣言”：狄皮隆双耳喷口瓶我们将看到，古希腊人如何用严谨的同心圆、M字纹和简笔画般的人物，在巨大的陶罐上表达对秩序的渴望与对亡者的哀悼。这是一种内省的、充满几何理性的美。• 图二：东方化时期的“开放答卷”：科林斯双耳陶罐然后，我们将目光转向一件截然不同的器物。随着希腊人与东方世界重启贸易，狮鹫、斯芬克司、莲花纹等充满异域风情的母题如何涌入希腊，并催生了革命性的 ‘黑绘技法’ 的雏形。艺术从此开始为叙事服务。通过对比这两件相隔百年的陶罐，我们不仅能清晰看到纹样、主题的巨变，更能读懂其背后：古希腊文明如何从一个封闭的‘宅’，通过向东方学习，最终成长为自信的‘社交达人’，并为后来的古典艺术巅峰奠定了基石。欢迎收听「艺术史 不枯燥」，让我们一起成为艺术的侦探，从两件陶罐的纹路里，解读一场文明的蜕变。
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