Podcast Appearances
And I think he really... You couldn't shut him up at the premiere.
He was like, you know, he's like a...
He's like a voice on a stick.
He's just talking to everybody.
Just going on about the goal, Jeff.
Just going on about the goal, Jeff.
You know, like Merce talks about Grobbelaar and if you...
The brilliant thing about, and this has nothing to do with anything I've, you know, Sam Billings, the editor, young editor, who is absolutely off the charts.
He deserves all the credit for that, the way we finished the film, not film, the way we finished the goal sequence.
Because when they were talking about how they were going to do it and how they were going to slow motion it down, use still pictures and yet have a moving ball on a still picture and make it last as long as they did and drag it out and the drama just,
pours out the screen when you're watching it and you we've all we all watched it a million times and we all think still right out it's going to get his toe on it and the actual the actual freeze frame of mickey touching the ball if you look at ray's uh boot it's virtually touching the ball the same time it's such a hairline decision that he gets the ball away and
And that was the whole point of dragging that out into making it a handkerchief moment where you just go, I've got to cry because I burst out crying on the...
on the pitch at the time.
I've talked about that in the documentary.
There's moments in the film that take you on this roller coaster of an up and down.
And, you know, you're crying when Righty's crying.
Obviously Hillsborough, and the way they did Hillsborough was, you know, it was such a tragic time and an event that you have to be very careful the way that you film that, the way that you show it.
And I thought they got it absolutely spot on.
And when I, I probably watched the film
I don't know, 30, 40 times now for premieres and things and showings, et cetera.