Ammon Hillman

I don't know, because he's trying to pull the authority. He's trying to say, you really can't read this text because it's not Greek, it's something else. Oh, no, it's beautiful. But it is Greek. It's beautiful Hellenistic Greek, and I would put it at the level, you know, compared to people like Callimachus. It's hard because he's so elevated, right?

I don't know, because he's trying to pull the authority. He's trying to say, you really can't read this text because it's not Greek, it's something else. Oh, no, it's beautiful. But it is Greek. It's beautiful Hellenistic Greek, and I would put it at the level, you know, compared to people like Callimachus. It's hard because he's so elevated, right?

The prophets, the prophetic writings that are there. Remember, prophetes is a Greek term, right? The promise that is there. They're reaching, I'd say, a mid-level five or six. I'd give it a five or six. So it's not up to the standard of the museum.

The prophets, the prophetic writings that are there. Remember, prophetes is a Greek term, right? The promise that is there. They're reaching, I'd say, a mid-level five or six. I'd give it a five or six. So it's not up to the standard of the museum.

The prophets, the prophetic writings that are there. Remember, prophetes is a Greek term, right? The promise that is there. They're reaching, I'd say, a mid-level five or six. I'd give it a five or six. So it's not up to the standard of the museum.

Ah. I would put Aristotle just a little. I wouldn't put him at the top.

Ah. I would put Aristotle just a little. I wouldn't put him at the top.

Ah. I would put Aristotle just a little. I wouldn't put him at the top.

About a five. It's somewhere in there. About halfway. Yeah. Okay. It's very stylistically, you know, I'd put it a good 5, 5.5 or 6. You know, she's not going to the Olympics or anything, right? But there is considerable drift from... Alexandria, lexically, the meanings of the words are like penetrating. Getting out there, right? That's why we're talking about Ouranos and Gaia.

About a five. It's somewhere in there. About halfway. Yeah. Okay. It's very stylistically, you know, I'd put it a good 5, 5.5 or 6. You know, she's not going to the Olympics or anything, right? But there is considerable drift from... Alexandria, lexically, the meanings of the words are like penetrating. Getting out there, right? That's why we're talking about Ouranos and Gaia.

About a five. It's somewhere in there. About halfway. Yeah. Okay. It's very stylistically, you know, I'd put it a good 5, 5.5 or 6. You know, she's not going to the Olympics or anything, right? But there is considerable drift from... Alexandria, lexically, the meanings of the words are like penetrating. Getting out there, right? That's why we're talking about Ouranos and Gaia.

So you can see that influence from Alexandria. And that gentleman just said that this is there's a Greek and there's some other kind of Greek. Jewish Greek. That does not exist. That does not exist. If you want the... You don't learn about Jewish Greek in classical programs?

So you can see that influence from Alexandria. And that gentleman just said that this is there's a Greek and there's some other kind of Greek. Jewish Greek. That does not exist. That does not exist. If you want the... You don't learn about Jewish Greek in classical programs?

So you can see that influence from Alexandria. And that gentleman just said that this is there's a Greek and there's some other kind of Greek. Jewish Greek. That does not exist. That does not exist. If you want the... You don't learn about Jewish Greek in classical programs?

It sounds so funny. No, why would you get Jewish people writing things in Greek if they had this other language that this whole book was made up of? No, it's gorgeous. It's gorgeous. I have a question. Yes, Steve. Okay, so...

It sounds so funny. No, why would you get Jewish people writing things in Greek if they had this other language that this whole book was made up of? No, it's gorgeous. It's gorgeous. I have a question. Yes, Steve. Okay, so...

It sounds so funny. No, why would you get Jewish people writing things in Greek if they had this other language that this whole book was made up of? No, it's gorgeous. It's gorgeous. I have a question. Yes, Steve. Okay, so...

Yeah, yeah. So it's not quite, wait, you're halfway there with that because that's dialectical differences, right?

Yeah, yeah. So it's not quite, wait, you're halfway there with that because that's dialectical differences, right?

Yeah, yeah. So it's not quite, wait, you're halfway there with that because that's dialectical differences, right?