Andrew Scott

You're still playing.

You absolutely are.

And I hate the idea of high art and low art.

I really do.

I think it's nonsense.

Yeah.

And actually all the people who were, you know, like with Shakespeare or any of those people, like Shakespeare, I always feel has been sort of hijacked by academics, you know, and anybody, you know, I always find that because the very first, because we used to do when I was a kid, we used to do these, we used to get to do Shakespeare in these little Irish competitions, you know, like just extracts from Shakespeare.

So you do 10 minutes of it and you sort of,

I don't know.

You just understood.

You just, I kind of understood it in a way.

I didn't understand all the words.

Um, but then I think what happens with some of those big guys is if there, if there are 250 books written about how to, um, speak the language of Michael Patrick King and Lisa Kudrow's the comeback, right.

It would drown it.

It would kill it.

There isn't a way of doing it.

There isn't a way of doing it.

And so what I think happens with sort of some of those with theater particulars, there's this idea that it's that you're not, not everybody is possessed of the thing that an actor needs to possess, which is just to my mind, just playfulness.

And the stuff that I love to do is to be able to just do lots of all the different stuff because why wouldn't you?

Well, it's also, it's seeing that, yes, I love Shakespeare, but I also love The Muppet Show.