Andrew Scott

Yeah.

That I love some of the more, you know, refined cinema, but I cut my teeth on Warner Brothers cartoons.

Yeah.

The timing, the characters, the kinds of attitudes that people are playing.

And I think there's no difference between a great Warner Brothers cartoon and a really good Shakespeare sonnet.

It's...

It's exactly the same thing.

And actually, he even says it in Hamlet.

He says, he literally has a thing about how you should speak the language.

It's so extraordinary.

He just says, just speak it trippingly in the tongue and stop shouting it out and stop doing all that kind of stuff.

So I think because I started and I didn't train formally, you kind of have to put your dukes up a little bit about, not the way I'm talked about because it's

but the, the way I, the way I suppose not to let my access to whatever I do for a living to be, to be, um, influenced too much by, by the seriousness with which other people talk.

I always think the word calcify things, things harden.

Someone starts using a bunch of $50 words, describing your process and what you do.

They're not doing you any favors, you know, and it's nice that they see all that in your work.

But it's best that you not know about it.

And they, because you want access to anything that's going to make you enjoy, be spontaneous, see a possibility and not overthink it.

I think it's so true.

And you just keep that alive and the longer you work.