Andy Greenwald

Week to week, it dazzles me.

So number one would be, where are we in the real-time story

And how can we take advantage of that moment?

So you could look at the fact that they've dispatched the ancient evil supposedly at the end of the last episode and think of it maybe in a way where you're like greedy to get onto the next thing.

You're worried about a lull.

You want to show the audience.

But no one's seen the show yet.

So this is entirely in your own head.

And the fact that she and her writers were like,

No, let's let them sit in a moment of happiness and peace.

And what does that look like?

And more importantly, not just what does it look like in terms of the comedy?

What does it look like in terms of storytelling opportunity?

What can we explore?

Second point was the past, your baggage.

I think I saw an interview that Katie did this week.

or one of the writers, I believe it was Katie, saying that... Is this the script notes one that she did?

It could have been.

I didn't listen to the whole thing.

I just saw the... I just saw this as a takeaway.