Anthony Jeselnik

And I just like trying those out.

And now I'm at like 50, 55 minutes of my set.

And that last five minutes or 10 minutes is really tough.

because I've covered so many things in the hour that now I'm just like trying to find, I'm trying to find it on the stage.

You know, I've got a couple of bits that I've come up with that I just try to, every weekend, try to have something new to fill up that hour.

But for like, I mean, you know this, that like an hour of a guy who just talks

You can do like an hour 20 easy, but when you're doing one-liner type stuff, I'm like, hey, it's 55 minutes, but you guys should be cool with that.

Because it's back-to-back.

I'm not fucking around at all.

That's too long.

The other, the other, like the other show's waiting.

I asked Brian one time, I was like, Brian, like I'm at 55 minutes.

Is that like, what are you, are people like feeling ripped off?

And he goes, you don't understand what I've seen people do to get to an hour.

You know what I mean?

Where they're like bringing people on stage and like shit that like you're 55 is worth more than most people's hours that I hope to get to 60 by the time I go to theaters in the fall.

But if it's 58, like it's a, it's a rock solid 58.

But someone's always going to complain, and it's like, how much do those complaints bother you?

I'll see the, hey, he only did 55.

And I'm like, only one person.