Anton Corbijn

And they were keen and they did a great job, yeah.

Well, yeah, this book, we did kind of chronological periods.

They made numbers out of the artists.

So, I mean, that sounds terrible, but they made sort of caricatures of the artists and put a figure in there.

So they wrote 2014 or 2020 or 1972 or whatever using artists, you know, and it's playful and it doesn't look like a photography book from the outside.

So there's another two photographers I liked, Peter Lindbergh and Paolo Roversi.

And I met him quite late in Vivaldi.

I met him in 2016, I think.

We met in September, and in November, the three of us went to my exhibition in Stockholm at the time.

I mean, that's how quickly we grew close.

We were planning to do shows, the three of us, called The Three Alchemists.

And then Peter died, so that was a bit of a setback.

I saw Paulo last week and I think we're still going to see if we can get something organized that way.

I mean, they're beautiful photographers each in their own right.

And Paulo is a real poet, I think.

He's beautiful.

Peter was more black and white, great shapes, you know.

They meant a lot to me.

They mean a lot to me.

I mean, it was sort of the first time I felt a proper photographer.