Ben Stiller

No, yeah, it's incredible. And I remember that too. And it's also a time when the scenes that we were doing early on in the show with Cobell and you, and we were still finding it. We were still experimenting with the tone. I mean, there were scenes that we shot a couple of times because we were trying to figure out what Cobell should feel like.

No, yeah, it's incredible. And I remember that too. And it's also a time when the scenes that we were doing early on in the show with Cobell and you, and we were still finding it. We were still experimenting with the tone. I mean, there were scenes that we shot a couple of times because we were trying to figure out what Cobell should feel like.

And you and her, I remember, just have that amazing scene where she just...

And you and her, I remember, just have that amazing scene where she just...

And you and her, I remember, just have that amazing scene where she just...

kind of comes right up into your face there and you have to just sort of listen to her and feel her energy and then you know also you always have the board in your ear and the scene you know the first scene with her where you're you know where you put your finger up okay so the board is conveying pretty strongly that the severance procedure is provenly irreversible yes and

kind of comes right up into your face there and you have to just sort of listen to her and feel her energy and then you know also you always have the board in your ear and the scene you know the first scene with her where you're you know where you put your finger up okay so the board is conveying pretty strongly that the severance procedure is provenly irreversible yes and

kind of comes right up into your face there and you have to just sort of listen to her and feel her energy and then you know also you always have the board in your ear and the scene you know the first scene with her where you're you know where you put your finger up okay so the board is conveying pretty strongly that the severance procedure is provenly irreversible yes and

It just became kind of iconic, I think, for the show and so specific to the tone of the show, but you really locked in in such a great way to find that sort of veneer, not to use a tooth term, but you know, the fake whatever, but it's not fake. It's like a very, I think people connect with it because it's so indicative of what it's like to work at a company where people are always on the outside.

It just became kind of iconic, I think, for the show and so specific to the tone of the show, but you really locked in in such a great way to find that sort of veneer, not to use a tooth term, but you know, the fake whatever, but it's not fake. It's like a very, I think people connect with it because it's so indicative of what it's like to work at a company where people are always on the outside.

It just became kind of iconic, I think, for the show and so specific to the tone of the show, but you really locked in in such a great way to find that sort of veneer, not to use a tooth term, but you know, the fake whatever, but it's not fake. It's like a very, I think people connect with it because it's so indicative of what it's like to work at a company where people are always on the outside.

They're so nice.

They're so nice.

They're so nice.

There's no gingivitis in your work at all. But for me, it was fun working on those scenes. I remember talking to you a little bit because I did know at that point it was one of your first experiences. And it was fun to just kind of like do it with you and see how you were really just, it was almost like I could feel you sort of like just becoming more and more comfortable in your work.

There's no gingivitis in your work at all. But for me, it was fun working on those scenes. I remember talking to you a little bit because I did know at that point it was one of your first experiences. And it was fun to just kind of like do it with you and see how you were really just, it was almost like I could feel you sort of like just becoming more and more comfortable in your work.

There's no gingivitis in your work at all. But for me, it was fun working on those scenes. I remember talking to you a little bit because I did know at that point it was one of your first experiences. And it was fun to just kind of like do it with you and see how you were really just, it was almost like I could feel you sort of like just becoming more and more comfortable in your work.

And I think, you know, to be new at an experience like that, that's not easy to do. I remember my first roles on TV shows that were smaller than your role. And being really nervous because you have to just come in there and perform. And it's just a whole, it's a lot. It's a lot. But you seem to really settle into it and have like an inner sort of confidence that really served the character well.

And I think, you know, to be new at an experience like that, that's not easy to do. I remember my first roles on TV shows that were smaller than your role. And being really nervous because you have to just come in there and perform. And it's just a whole, it's a lot. It's a lot. But you seem to really settle into it and have like an inner sort of confidence that really served the character well.

And I think, you know, to be new at an experience like that, that's not easy to do. I remember my first roles on TV shows that were smaller than your role. And being really nervous because you have to just come in there and perform. And it's just a whole, it's a lot. It's a lot. But you seem to really settle into it and have like an inner sort of confidence that really served the character well.