Ben Stiller

All right. This is a perfect moment to take a quick break. We'll be back right after this. Hey, Ben here. I know you love listening to podcasts, so I wanted to introduce you to a brand new show called Campus Files. It's a weekly series that digs into the archives of American colleges and universities to take us behind some of the most outrageous scandals in the history of academia.

All right. This is a perfect moment to take a quick break. We'll be back right after this. Hey, Ben here. I know you love listening to podcasts, so I wanted to introduce you to a brand new show called Campus Files. It's a weekly series that digs into the archives of American colleges and universities to take us behind some of the most outrageous scandals in the history of academia.

All right. This is a perfect moment to take a quick break. We'll be back right after this. Hey, Ben here. I know you love listening to podcasts, so I wanted to introduce you to a brand new show called Campus Files. It's a weekly series that digs into the archives of American colleges and universities to take us behind some of the most outrageous scandals in the history of academia.

While often a beacon of integrity and excellence, the reality of college life can also expose the darkest parts of American culture. From rigged admissions to sports scandals to Greek life drama, Campus Files shares the stories you won't hear on the campus tours. Listen to and follow Campus Files, an Odyssey original podcast available now on the free Odyssey app and wherever you get your podcasts.

While often a beacon of integrity and excellence, the reality of college life can also expose the darkest parts of American culture. From rigged admissions to sports scandals to Greek life drama, Campus Files shares the stories you won't hear on the campus tours. Listen to and follow Campus Files, an Odyssey original podcast available now on the free Odyssey app and wherever you get your podcasts.

While often a beacon of integrity and excellence, the reality of college life can also expose the darkest parts of American culture. From rigged admissions to sports scandals to Greek life drama, Campus Files shares the stories you won't hear on the campus tours. Listen to and follow Campus Files, an Odyssey original podcast available now on the free Odyssey app and wherever you get your podcasts.

Yeah. I mean, it is interesting. Everybody's sort of ambitions or sort of prerogative working at the company, besides being committed to the company and to the ideology of the company, but also just the ambitions that each character has within the company for what they want personally.

Yeah. I mean, it is interesting. Everybody's sort of ambitions or sort of prerogative working at the company, besides being committed to the company and to the ideology of the company, but also just the ambitions that each character has within the company for what they want personally.

Yeah. I mean, it is interesting. Everybody's sort of ambitions or sort of prerogative working at the company, besides being committed to the company and to the ideology of the company, but also just the ambitions that each character has within the company for what they want personally.

And, I mean, I think we start to see that in season two, especially in episode three, that scene where Tramiel gets the Black Keir paintings, the re-canonicalized paintings. And you two both did such great work with that scene. And I remember we all talked about it to really get each person's perspective working on it. How did you approach that scene?

And, I mean, I think we start to see that in season two, especially in episode three, that scene where Tramiel gets the Black Keir paintings, the re-canonicalized paintings. And you two both did such great work with that scene. And I remember we all talked about it to really get each person's perspective working on it. How did you approach that scene?

And, I mean, I think we start to see that in season two, especially in episode three, that scene where Tramiel gets the Black Keir paintings, the re-canonicalized paintings. And you two both did such great work with that scene. And I remember we all talked about it to really get each person's perspective working on it. How did you approach that scene?

Because I thought you both had so much subtext going on in that scene that was... you know, very, very complicated and layered

Because I thought you both had so much subtext going on in that scene that was... you know, very, very complicated and layered

Because I thought you both had so much subtext going on in that scene that was... you know, very, very complicated and layered

What I also appreciated when we were doing this scene and watching you guys work was how in the moment you were with each other.

What I also appreciated when we were doing this scene and watching you guys work was how in the moment you were with each other.

What I also appreciated when we were doing this scene and watching you guys work was how in the moment you were with each other.

So like you come in with like a lot of ideas about subtext and ideas of where you're coming from, but then it felt to me in the best way that the two of you were then just sort of in the moment with each other and reacting to the other person's energy in a way that made the scene very alive.

So like you come in with like a lot of ideas about subtext and ideas of where you're coming from, but then it felt to me in the best way that the two of you were then just sort of in the moment with each other and reacting to the other person's energy in a way that made the scene very alive.