Bert Kreischer

And then...

And then, you know, obviously, luckily, because of that, we knew how precious Izzy was to us.

So this six months, Mac passed in August.

So whatever the, you know, four months it's been, we've been loving on Izzy like crazy because we miss Mac.

But I don't know which is better, to go within two minutes and you don't see it coming and you feel it like a ton of bricks or to draw it out.

Yeah.

That is a gorgeous dog.

So that's how Mac went.

And you can't cut their leg off.

No, they're too big.

Like if it was a small dog, they'd just cut their leg off.

It's heartbreaking.

And then you watch that leg tremble.

And you're just like, oh, buddy.

The first one, the first ones I talked about that in, um, in my last special lucky.

Um, it's so funny, you know, I,

Not to get in the weeds on the creative process or production or Netflix, but it's interesting.

When you shoot a special, sometimes people shoot one show, which I think is ill-advised.

Sometimes they shoot two, which, once again, I think is not the best idea.

Four is probably the magic number, but on Lucky, I decided to shoot six.