Billy Corgan

So I kind of knew what you were doing, but it seems so fresh and new, obviously.

But one of the great pleasures is like now I step back and because I love to produce music myself, it's like I realize now that the three headed monster of you two with Keith Forsey.

It's like there's the magical thing.

Of course, everyone focuses on the singer.

That's how it all works.

Right.

But but but your partnership, the three of you, that was an incredible marriage of

ideas, approaches.

Well, it's obvious, too, because as a guitar player listening to in those times, the first thing that struck me was there was such an aggression to the guitar, but it was a different type of aggression.

Yeah.

It was more like sexy, cool, or like, I don't give a... Yeah.

You know what I mean?

And then you turn around and play super tasteful, cool stuff.

Yeah, yeah.

And nobody was really doing that then.

Now there's a ton of people who do stuff like that.

I mean, you even hear it in Radiohead.

You know, there's this idea of like... Okay, right.

What I'm saying is you kind of...

way ahead of that curve that the guitar didn't have to be this one-lane instrument.