Brady Corbet
đ€ PersonAppearances Over Time
Podcast Appearances
Like, he is like a performer of another era. Like, he, for me, even just, like, aesthetically, like, you know, he's, like, of another time. He feels like Robert De Niro. And I just think that, um... Wie in einem Tag und Zeit, in dem ein sehr anderer Art von leitender Mann auf dem Weg ist. Ich bin mir persönlich so gefreut, als Filmhörer, jemanden wie Adrian als Topliner zu sehen.
So I have this real affection for him and both him and Guy Pearce as well as Felicity Jones and Joe Alwyn and kind of like the main players on the film. They were just like Sie waren unglaublich vorbereitet, in einer Art und Weise, in der ich es mir fast nicht gewohnt hatte. Sie verpassten nicht einen Slogan. Jedes Take war schmerzhaft. Das ist GlĂŒck, wenn du im Film bist.
So I have this real affection for him and both him and Guy Pearce as well as Felicity Jones and Joe Alwyn and kind of like the main players on the film. They were just like Sie waren unglaublich vorbereitet, in einer Art und Weise, in der ich es mir fast nicht gewohnt hatte. Sie verpassten nicht einen Slogan. Jedes Take war schmerzhaft. Das ist GlĂŒck, wenn du im Film bist.
So I have this real affection for him and both him and Guy Pearce as well as Felicity Jones and Joe Alwyn and kind of like the main players on the film. They were just like Sie waren unglaublich vorbereitet, in einer Art und Weise, in der ich es mir fast nicht gewohnt hatte. Sie verpassten nicht einen Slogan. Jedes Take war schmerzhaft. Das ist GlĂŒck, wenn du im Film bist.
Es war nicht schmerzhaft auf unserer Seite. Wir hĂ€tten einen Bump in der Strecke und wir hĂ€tten Probleme. Aber der einzige Weg, wie ich diesen Film in 33 Tagen fĂŒr 10 Millionen Dollar machen konnte, war, dass ich ein Team hatte. Das war so... Sie haben vier Monate gearbeitet, bevor sie hierher kamen. Und ich habe es so sehr gefreut. Ich bin wirklich so dankbar fĂŒr den gesamten Cast.
Es war nicht schmerzhaft auf unserer Seite. Wir hĂ€tten einen Bump in der Strecke und wir hĂ€tten Probleme. Aber der einzige Weg, wie ich diesen Film in 33 Tagen fĂŒr 10 Millionen Dollar machen konnte, war, dass ich ein Team hatte. Das war so... Sie haben vier Monate gearbeitet, bevor sie hierher kamen. Und ich habe es so sehr gefreut. Ich bin wirklich so dankbar fĂŒr den gesamten Cast.
Es war nicht schmerzhaft auf unserer Seite. Wir hĂ€tten einen Bump in der Strecke und wir hĂ€tten Probleme. Aber der einzige Weg, wie ich diesen Film in 33 Tagen fĂŒr 10 Millionen Dollar machen konnte, war, dass ich ein Team hatte. Das war so... Sie haben vier Monate gearbeitet, bevor sie hierher kamen. Und ich habe es so sehr gefreut. Ich bin wirklich so dankbar fĂŒr den gesamten Cast.
It's interesting because I haven't seen The Pianist since it came out.
It's interesting because I haven't seen The Pianist since it came out.
It's interesting because I haven't seen The Pianist since it came out.
I think that every film I've made is really about like a post-traumatic generation. So, The Childhood of a Leader was about the six months leading up to the signing of the Treaty of Versailles after... After the First World War and sort of about the way that Woodrow Wilson inadvertently paved the way for fascist uprising. Some 20 years later, Vox was a film about
I think that every film I've made is really about like a post-traumatic generation. So, The Childhood of a Leader was about the six months leading up to the signing of the Treaty of Versailles after... After the First World War and sort of about the way that Woodrow Wilson inadvertently paved the way for fascist uprising. Some 20 years later, Vox was a film about
I think that every film I've made is really about like a post-traumatic generation. So, The Childhood of a Leader was about the six months leading up to the signing of the Treaty of Versailles after... After the First World War and sort of about the way that Woodrow Wilson inadvertently paved the way for fascist uprising. Some 20 years later, Vox was a film about
about post Columbine and post 9-11 America. What Vox and the Brutalists have very much in common is that when I was thinking about, you know, making a film on the post-war years and I was thinking a lot about post-war architecture and how it was a response to what had sort of occurred in the first half of the 20th century. I
about post Columbine and post 9-11 America. What Vox and the Brutalists have very much in common is that when I was thinking about, you know, making a film on the post-war years and I was thinking a lot about post-war architecture and how it was a response to what had sort of occurred in the first half of the 20th century. I
about post Columbine and post 9-11 America. What Vox and the Brutalists have very much in common is that when I was thinking about, you know, making a film on the post-war years and I was thinking a lot about post-war architecture and how it was a response to what had sort of occurred in the first half of the 20th century. I
I was thinking about, you know, Mies van der Rohe like walking into like, you know, like Lucille Ball's living room and I love Lucy and like presenting like his concept for his space. And I was like, that's like very, very radical. And I just think that like, you know, what's interesting about the 1950s is
I was thinking about, you know, Mies van der Rohe like walking into like, you know, like Lucille Ball's living room and I love Lucy and like presenting like his concept for his space. And I was like, that's like very, very radical. And I just think that like, you know, what's interesting about the 1950s is
I was thinking about, you know, Mies van der Rohe like walking into like, you know, like Lucille Ball's living room and I love Lucy and like presenting like his concept for his space. And I was like, that's like very, very radical. And I just think that like, you know, what's interesting about the 1950s is
is that like the American sitcom was very much in response to sweeping under the rug everything that had occurred just a few years earlier. And Vox for me was about how Real Housewives of New Jersey was sort of a response to that as well. Like it's sort of about like the new culture is this thing, which, you know, is... It seems to be...