Brady Corbet

is that like the American sitcom was very much in response to sweeping under the rug everything that had occurred just a few years earlier. And Vox for me was about how Real Housewives of New Jersey was sort of a response to that as well. Like it's sort of about like the new culture is this thing, which, you know, is... It seems to be...

is that like the American sitcom was very much in response to sweeping under the rug everything that had occurred just a few years earlier. And Vox for me was about how Real Housewives of New Jersey was sort of a response to that as well. Like it's sort of about like the new culture is this thing, which, you know, is... It seems to be...

It seems to be really sweeping under the rug what's occurred just a decade earlier. And trying to make light of a very disturbing moment in time. Yeah. Narzissismus und Solipsismus, das ist definitiv unserer Ära. Ja. Und natürlich ist es so, weil wir sonst etwas sehr Wichtiges machen würden, über Kinder, die anderen Kindern in den Gesicht schießen, auf einem täglichen Basis. Ja.

It seems to be really sweeping under the rug what's occurred just a decade earlier. And trying to make light of a very disturbing moment in time. Yeah. Narzissismus und Solipsismus, das ist definitiv unserer Ära. Ja. Und natürlich ist es so, weil wir sonst etwas sehr Wichtiges machen würden, über Kinder, die anderen Kindern in den Gesicht schießen, auf einem täglichen Basis. Ja.

It seems to be really sweeping under the rug what's occurred just a decade earlier. And trying to make light of a very disturbing moment in time. Yeah. Narzissismus und Solipsismus, das ist definitiv unserer Ära. Ja. Und natürlich ist es so, weil wir sonst etwas sehr Wichtiges machen würden, über Kinder, die anderen Kindern in den Gesicht schießen, auf einem täglichen Basis. Ja.

Ich meine, jede Woche. Ja. Ich meine, ich kann dir nicht sagen, wie viele Festivalprogrammierer und so. Sie würden zu mir kommen, und am Anfang des Films, bevor der Film begann, und sie würden sagen, hey, Can you just give a trigger warning to the audience? Because they think they're coming to see a film about a pop star, but it opens with a school shooting.

Ich meine, jede Woche. Ja. Ich meine, ich kann dir nicht sagen, wie viele Festivalprogrammierer und so. Sie würden zu mir kommen, und am Anfang des Films, bevor der Film begann, und sie würden sagen, hey, Can you just give a trigger warning to the audience? Because they think they're coming to see a film about a pop star, but it opens with a school shooting.

Ich meine, jede Woche. Ja. Ich meine, ich kann dir nicht sagen, wie viele Festivalprogrammierer und so. Sie würden zu mir kommen, und am Anfang des Films, bevor der Film begann, und sie würden sagen, hey, Can you just give a trigger warning to the audience? Because they think they're coming to see a film about a pop star, but it opens with a school shooting.

And I was like, no, that's sort of the point. The point is to not make them aware. Those kids didn't get a trigger warning. Ja, genau. Und ich dachte mir, das passiert, weißt du, hundertmal im Jahr. Ich meine, so viel, dass es nur als Massenmeldung qualifiziert, wenn drei oder mehr Menschen tatsächlich getötet werden. Ja. Vergiss es über die Verletzten.

And I was like, no, that's sort of the point. The point is to not make them aware. Those kids didn't get a trigger warning. Ja, genau. Und ich dachte mir, das passiert, weißt du, hundertmal im Jahr. Ich meine, so viel, dass es nur als Massenmeldung qualifiziert, wenn drei oder mehr Menschen tatsächlich getötet werden. Ja. Vergiss es über die Verletzten.

And I was like, no, that's sort of the point. The point is to not make them aware. Those kids didn't get a trigger warning. Ja, genau. Und ich dachte mir, das passiert, weißt du, hundertmal im Jahr. Ich meine, so viel, dass es nur als Massenmeldung qualifiziert, wenn drei oder mehr Menschen tatsächlich getötet werden. Ja. Vergiss es über die Verletzten.

Wenn sie nur verletzt werden, für den Rest ihres Lebens, dann macht das nicht die News.

Wenn sie nur verletzt werden, für den Rest ihres Lebens, dann macht das nicht die News.

Wenn sie nur verletzt werden, für den Rest ihres Lebens, dann macht das nicht die News.

I mean, it sort of started actually with Marcel Breuer, who, you know, for context, Walter Gropius, you know, had him positioned at a university in the US after the Bauhaus was shut down by the Nazis in 1935. In reality... There were zero examples of anyone that got stuck in the quagmire of the war, certainly that survived the camps, and then went on to have a career in the 1950s.

I mean, it sort of started actually with Marcel Breuer, who, you know, for context, Walter Gropius, you know, had him positioned at a university in the US after the Bauhaus was shut down by the Nazis in 1935. In reality... There were zero examples of anyone that got stuck in the quagmire of the war, certainly that survived the camps, and then went on to have a career in the 1950s.

I mean, it sort of started actually with Marcel Breuer, who, you know, for context, Walter Gropius, you know, had him positioned at a university in the US after the Bauhaus was shut down by the Nazis in 1935. In reality... There were zero examples of anyone that got stuck in the quagmire of the war, certainly that survived the camps, and then went on to have a career in the 1950s.

That didn't happen. I consulted a specialist to ask them that question specifically, a guy named Jean-Louis Cohen. And I said, because I wanted to make sure that if we were going to tell this sort of virtual history, that there was no overlap with any existing person. And there wasn't.

That didn't happen. I consulted a specialist to ask them that question specifically, a guy named Jean-Louis Cohen. And I said, because I wanted to make sure that if we were going to tell this sort of virtual history, that there was no overlap with any existing person. And there wasn't.

That didn't happen. I consulted a specialist to ask them that question specifically, a guy named Jean-Louis Cohen. And I said, because I wanted to make sure that if we were going to tell this sort of virtual history, that there was no overlap with any existing person. And there wasn't.