Brett Cooper

Wait, what... Guys, that kiss was not in the script.

That was something that in the moment Blake thought might work for their characters, might add to the intensity or the feeling in the scene.

Oh, never mind, hostile work environment.

Woo, woo, woo, somebody sue her.

Again, do you see how ridiculous it is?

I am genuinely over this.

Anyway, so no to all of the smooth-brained feminists, to pop-base.

It was not just a technicality, Blake Lively.

It was not a system that was designed to oppress you and other women.

And honestly, throughout this entire process, Blake has not done herself any favors, so none of us should be surprised about this ruling whatsoever.

In fact, in her now infamous letter to the PGA, where she was demanding producer credit on the film, because you know, she was not hired to be a writer or producer or costume designer, any of those things, even though she put herself in those roles, she was just hired to be an actress.

And so after the fact, she wrote to the PGA, she said, I did all of these things, I touched every single aspect of the film, I demand a producer credit.

She cited in the letter everything she had done for the film.

That letter, that she was so proud of, was part of her undoing.

The judge literally cited the letter, included quotes from it, and said it completely undercut all of her victim claims.

Er schreibt, dass es auch keine echte Begrüßung gibt, die Lively mit extremen Einwohnungen und Kontrolle über viele der Entscheidungen in der Filme und ihrer Rolle hat.

Sie diskutiert nicht mit den unterliegenden Fakten, die in ihrer Begrüßung zu der Produzenten-Gilde von Amerika sind.

As reflected in that letter,

Und sie sagt, dass sie keine Macht hatte.

Sie konnte nichts tun.