Brian Regan

What's the matter?

You might ask.

Oh, there's Wojo Howitz.

He's coming in the door.

He's kind of right when Wojo's coming in.

What are all...

The old Chinese guy and the old Jewish guy, imagine them being cast.

They'd be like, hey, we want young, we want urban.

They've got to be able to dance.

We want old guys talking slow.

No.

It wouldn't happen and it doesn't happen.

When agents don't want you, they go, we already have one of you, which is sort of the opposite in the Hollywood community.

They go, we got a blonde 12-year-old girl who's a tomboy, so we don't need your daughter in our agency.

But then you get to the network and you pitch them a sitcom and they go, we don't have one of those.

We want one that's close to what we have.

It's a kind of a weird – I think it's just a –

way to sit at a blackjack table play not to lose the odds are against you and eventually you're just going to have to cash out like that sort of strategy or there's a sporting football sort of strategy to that too and all the great sitcoms no one that was playing to win and i don't know if people do that anymore yeah well it would be like you you want to go for it on fourth down every now and then and i think it's the same in the creative world um

All right, where were we?

Oh, hosting the Oscars.