Bryan Greene

Are you open to the idea?

You know, I understand it, though, because when someone's waggling a check in front of you and all you have to do is just go up there, knock out 30, 40 an hour, whatever you're contracted to do, and...

You know, you're not taking, I mean, you would like to think you're not, it's not like you're doing something outside of the norm of what you would do.

You're just doing your act in front of a smaller crowd that's paid you to do it.

It's almost in some sense, you know, that's, that's like just icing on the cake.

You're walking, you're knocking it out.

But why did you get attacked?

Of course, yeah, go for it, yeah.

No.

Yeah.

Listen, I saw Chris a couple weeks, a month, whatever.

It was his first gig after he went, after the big slap.

And, you know, he was obviously shaken by the whole thing.

That was a very, very public thing.

disturbance in the force let's put it that way i still don't know what that shit was about but it feels like to me that in comedy small stages big stages all around the world and any live performance it is getting more dangerous in a sense i think people have they're quicker to snap they're quicker to get aggressive they don't respect the boundaries they don't understand you know comedy

is not every you can't please everybody all the time and every line isn't going to hit with everybody the same way but it feels to me and i just think this is anecdotal but probably is true people are quick

To get crazy.

They're quick to snap.

And, you know, we've seen it.

People bum rust the stage.