Caroline Lawrence
👤 SpeakerAppearances Over Time
Podcast Appearances
He doesn't have the slim build of many Cretans and the honey-colored skin of many Cretans. He's kind of hairier and has bulging eyes and a kind of bull-like neck. So what Mary Reynolds has done is made him a person with kind of bestial aspects. And what the really clever thing is, she says that...
When Pacify was really in love with him, she'd sneak into the bullring and hide in the cow to wait to meet him. So it's a very clever kind of modern take, kind of rationalizing what the Minotaur might have been.
When Pacify was really in love with him, she'd sneak into the bullring and hide in the cow to wait to meet him. So it's a very clever kind of modern take, kind of rationalizing what the Minotaur might have been.
When Pacify was really in love with him, she'd sneak into the bullring and hide in the cow to wait to meet him. So it's a very clever kind of modern take, kind of rationalizing what the Minotaur might have been.
And the book that got me interested in classics that started my whole passion for classics was called The Last of the Wine. And it's set in ancient Athens in the time of Plato, Socrates, and Xenophon. I read that when I was 19, and it changed my life.
And the book that got me interested in classics that started my whole passion for classics was called The Last of the Wine. And it's set in ancient Athens in the time of Plato, Socrates, and Xenophon. I read that when I was 19, and it changed my life.
And the book that got me interested in classics that started my whole passion for classics was called The Last of the Wine. And it's set in ancient Athens in the time of Plato, Socrates, and Xenophon. I read that when I was 19, and it changed my life.
Yeah, and what I say in my book is one reason we like the myths is they're so archetypal, and the gods and goddesses, they're good to think with. They're good to play with. They're kind of archetypal characters, and we can play around with them and change them. And that's what the Greek tragedians did, Sophocles, Euripides, and Aeschylus did way back then.
Yeah, and what I say in my book is one reason we like the myths is they're so archetypal, and the gods and goddesses, they're good to think with. They're good to play with. They're kind of archetypal characters, and we can play around with them and change them. And that's what the Greek tragedians did, Sophocles, Euripides, and Aeschylus did way back then.
Yeah, and what I say in my book is one reason we like the myths is they're so archetypal, and the gods and goddesses, they're good to think with. They're good to play with. They're kind of archetypal characters, and we can play around with them and change them. And that's what the Greek tragedians did, Sophocles, Euripides, and Aeschylus did way back then.
And of course, my favorite, Aristophanes, who's not a tragedian at all. But we can play with them. And I think you and I were both at the British Museum when they aired the first episode with Charlie Cavell, the creator, Jeff Goldblum, on a panel afterwards, which was so fascinating. And so, yes, it's a retelling of the Greek myths, not using all the gods, but some of them.
And of course, my favorite, Aristophanes, who's not a tragedian at all. But we can play with them. And I think you and I were both at the British Museum when they aired the first episode with Charlie Cavell, the creator, Jeff Goldblum, on a panel afterwards, which was so fascinating. And so, yes, it's a retelling of the Greek myths, not using all the gods, but some of them.
And of course, my favorite, Aristophanes, who's not a tragedian at all. But we can play with them. And I think you and I were both at the British Museum when they aired the first episode with Charlie Cavell, the creator, Jeff Goldblum, on a panel afterwards, which was so fascinating. And so, yes, it's a retelling of the Greek myths, not using all the gods, but some of them.
But Charlie does a really interesting thing with the Minotaur. they have that the Minotaur is the child of Minos and that there was a prophecy that the firstborn child of Minos would kill the father. So Minos locks away the son, though he's normal, in a labyrinth and almost creates a beast by denying him love, affection,
But Charlie does a really interesting thing with the Minotaur. they have that the Minotaur is the child of Minos and that there was a prophecy that the firstborn child of Minos would kill the father. So Minos locks away the son, though he's normal, in a labyrinth and almost creates a beast by denying him love, affection,
But Charlie does a really interesting thing with the Minotaur. they have that the Minotaur is the child of Minos and that there was a prophecy that the firstborn child of Minos would kill the father. So Minos locks away the son, though he's normal, in a labyrinth and almost creates a beast by denying him love, affection,
physical contact puts him in a mask of a of a bull for some reason so again it's got a kind of explanation and he becomes a very sympathetic character and this is the thing we can do is we can take these