Caroline Lawrence

physical contact puts him in a mask of a of a bull for some reason so again it's got a kind of explanation and he becomes a very sympathetic character and this is the thing we can do is we can take these

physical contact puts him in a mask of a of a bull for some reason so again it's got a kind of explanation and he becomes a very sympathetic character and this is the thing we can do is we can take these

monsters, and we can kind of, I'm saying monsters with inverted commas, we can rehabilitate them and show what might have caused them to become that way, which I think is a great thing about many of these modern retellings. They give us a new view of the monster, though I do think the power of the monster is this deep psychological bogeyman.

monsters, and we can kind of, I'm saying monsters with inverted commas, we can rehabilitate them and show what might have caused them to become that way, which I think is a great thing about many of these modern retellings. They give us a new view of the monster, though I do think the power of the monster is this deep psychological bogeyman.

monsters, and we can kind of, I'm saying monsters with inverted commas, we can rehabilitate them and show what might have caused them to become that way, which I think is a great thing about many of these modern retellings. They give us a new view of the monster, though I do think the power of the monster is this deep psychological bogeyman.

Yes, I think so. And I think any of these weird combinations of these hybrids are so fascinating to us. I think my favorite monster is Medusa in all her terrifying aspect, and especially the way Ray Harryhausen portrayed her. And the idea that if someone looks at you, they can turn you to stone. And this is

Yes, I think so. And I think any of these weird combinations of these hybrids are so fascinating to us. I think my favorite monster is Medusa in all her terrifying aspect, and especially the way Ray Harryhausen portrayed her. And the idea that if someone looks at you, they can turn you to stone. And this is

Yes, I think so. And I think any of these weird combinations of these hybrids are so fascinating to us. I think my favorite monster is Medusa in all her terrifying aspect, and especially the way Ray Harryhausen portrayed her. And the idea that if someone looks at you, they can turn you to stone. And this is

One of the ideas of apotropaic, the power is a face looking out can turn back, reflect back evil spirits, frighten them away. And a dog with three heads, a watchdog, but especially one with three heads can frighten away an evil spirit. And I think the power of the minotaur against evil spirits and in the subconscious is not him, but I think it's the maze again.

One of the ideas of apotropaic, the power is a face looking out can turn back, reflect back evil spirits, frighten them away. And a dog with three heads, a watchdog, but especially one with three heads can frighten away an evil spirit. And I think the power of the minotaur against evil spirits and in the subconscious is not him, but I think it's the maze again.

One of the ideas of apotropaic, the power is a face looking out can turn back, reflect back evil spirits, frighten them away. And a dog with three heads, a watchdog, but especially one with three heads can frighten away an evil spirit. And I think the power of the minotaur against evil spirits and in the subconscious is not him, but I think it's the maze again.

This idea of the place, his big accessory, this labyrinthine space that I don't dream about him, but I do dream about not getting out of a space. And in fact, yesterday I went to the National Gallery in London. Amazing resource. Oh my gosh, so many masterpiece paintings. Please may it never burn down. But I couldn't find my way out. And I felt a bit like this is in the labyrinth.

This idea of the place, his big accessory, this labyrinthine space that I don't dream about him, but I do dream about not getting out of a space. And in fact, yesterday I went to the National Gallery in London. Amazing resource. Oh my gosh, so many masterpiece paintings. Please may it never burn down. But I couldn't find my way out. And I felt a bit like this is in the labyrinth.

This idea of the place, his big accessory, this labyrinthine space that I don't dream about him, but I do dream about not getting out of a space. And in fact, yesterday I went to the National Gallery in London. Amazing resource. Oh my gosh, so many masterpiece paintings. Please may it never burn down. But I couldn't find my way out. And I felt a bit like this is in the labyrinth.

And you know, this is a weird thing, but I know we're talking about monsters, but there doesn't even have to be a monster. Just getting out, getting home is a desperate desire that we all have, isn't it? Just getting out of the maze. So that whole idea that, Jesus, he's killed the monster, but now he's got to get home. There's no more monster, but he's still got to get home. So powerful.

And you know, this is a weird thing, but I know we're talking about monsters, but there doesn't even have to be a monster. Just getting out, getting home is a desperate desire that we all have, isn't it? Just getting out of the maze. So that whole idea that, Jesus, he's killed the monster, but now he's got to get home. There's no more monster, but he's still got to get home. So powerful.

And you know, this is a weird thing, but I know we're talking about monsters, but there doesn't even have to be a monster. Just getting out, getting home is a desperate desire that we all have, isn't it? Just getting out of the maze. So that whole idea that, Jesus, he's killed the monster, but now he's got to get home. There's no more monster, but he's still got to get home. So powerful.

It's called Pantheon, and it is an illustrated handbook to the Greek gods and goddesses. And as I said, it's got little just snippets about the kind of essences of the Greek gods and goddesses and the heroes and some monsters, just enough that you can leaf through and think, oh, that's an interesting little rabbit hole.

It's called Pantheon, and it is an illustrated handbook to the Greek gods and goddesses. And as I said, it's got little just snippets about the kind of essences of the Greek gods and goddesses and the heroes and some monsters, just enough that you can leaf through and think, oh, that's an interesting little rabbit hole.

It's called Pantheon, and it is an illustrated handbook to the Greek gods and goddesses. And as I said, it's got little just snippets about the kind of essences of the Greek gods and goddesses and the heroes and some monsters, just enough that you can leaf through and think, oh, that's an interesting little rabbit hole.