Chris McDonough

And at some point he brings her out of that house, potentially through the front door because her blood is there.

Or, as Cheryl's talking about, this is a staging situation where the blood becomes an afterthought.

This is after the situation that's already, you know, maybe she's been bound or certain other indicators inside the house, which we don't have data on yet.

Well, if you look at his right hand there, immediately he is at the handle of the weapon.

So he can reach right over and pull that gun out.

If he was left-hand dominant, it would have been absolutely the opposite direction.

And so in this situation, we know he's potentially right-hand dominant.

And if you'll notice also, Nancy, when he comes up onto the porch and then he turns around and goes back towards the debris in the area there where he bends over and picks it up, there's a brief second where he felt that maybe something, he had heard something, seen something.

He pauses, see him looking right there.

So at some point, yes, there's something that spooked him for a brief second.

And then he felt, OK, I'm OK.

So this is telling us he's very comfortable in this environment because he continued on with that activity.

The right side, right where his right hand is.

All he has to do is reach over and pull that weapon out of the holster.

I think he has chin hair, Nancy.

In that one photograph, you can see that he appears to be a darker shade there underneath his lip line.

That could be indicative of facial hair and then, of course, the mustache potentially above that.

One other thing I think we're learning here is this gentleman is very, very comfortable

doing what he's doing here.

As Cheryl pointed out earlier, the fact that he's coming there, you know, with a kill kit potentially, you know, within that bag, and we don't know that for sure, but that would be potentially logical.