Chris Ryan

Episodes three through five of the first season of True Detective, which is Locked Room, Who Goes There, which is the famous tracking shot, and Secret Fate of All Life, which is nuts.

So if you have any like limited or one season ones, we could talk about those.

Allison told me in season one or two.

Two.

Two.

Yeah, for Andor, it's very specific because we didn't have the pre-existing, even if it was like in the press notes, you didn't really understand how it was going to feel to do.

It's the three episodes and then there's going to be a time jump and a location change and a character ensemble change.

With Fargo, I remember feeling like,

so cynical about the TV project in general, you know, and then by season two, just being like, this is actually like an incredible proof of concept that TV can do stuff.

That's just truly, truly remarkable when it comes to adaptation and riffing.

I couldn't decide what my Watchmen run was.

You put this down, but I knew it was in there and I think you nailed it.

But this is another good example of like, I know it was in the middle for me somewhere, but I think you're going towards the ending, right?

That's like half the season.

It's really cool that when, because if you ever listened to, Damon was on House of R, Damon Lindelof went on House of R. It was an awesome, awesome podcast.

Now being aggregated to death, but that's okay.

But I still kind of freak out.

Like, sometimes I'll be talking to him and I'll just be like, God damn, dog.

I know.

I know.