Chris Ryan

This movie is really a monument to producing

When you think about the amount of money that must have changed hands to make this movie, the amount of negotiating that must have had to happen with all the different countries they're shooting in, with the strikes happening, with COVID restrictions, and Jerry Bruckheimer's got like fucking 15 new cameras inside of F1 cars.

I mean, that's what movie producers are supposed to do.

Because of like the preponderant, like the amount of visual effects and like the amount of stuff you can do inside of a computer now.

And also just because of the last couple of years in the industry, when you watch movies now, you're kind of like, oh, I can see they tried to save money here.

Like, for whatever reason.

Like, in any movie.

You didn't get this feeling once during F1?

When you watch F1, you're like, how much did this fucking movie cost?

It's almost like he was like, let's spend more money.

You know what I mean?

And that's kind of cool.

Because you're getting it back in your movie ticket.

Not focused on it.

Honestly, I'm surprised I don't know the guy you're referencing.

It's worth noting that there is a, after the film, there is an additional literary contributions credit for Aaron Sorkin.

Yeah, I saw that.

Christopher Storer.

Uncredited.

Jez Butterworth and Kara Smith.