Chris Sullivan

This feels like a HOA, and I want something that's more permanent.

This feels like a HOA, and I want something that's more permanent.

But so I say that because now, man, you were saying again, like Jack, there's mystery. And I think Milo is mystery. And I think the writers are saying like, we need to like cater to this man's sort of mystery. You know what I'm saying? And the public, so it's like, we love Jack.

But so I say that because now, man, you were saying again, like Jack, there's mystery. And I think Milo is mystery. And I think the writers are saying like, we need to like cater to this man's sort of mystery. You know what I'm saying? And the public, so it's like, we love Jack.

But so I say that because now, man, you were saying again, like Jack, there's mystery. And I think Milo is mystery. And I think the writers are saying like, we need to like cater to this man's sort of mystery. You know what I'm saying? And the public, so it's like, we love Jack.

And I actually love, you still get to love Jack because you start off with love, but now you're like, oh, this is what I signed up for. Like I signed up for more than I actually knew that I was signing up for.

And I actually love, you still get to love Jack because you start off with love, but now you're like, oh, this is what I signed up for. Like I signed up for more than I actually knew that I was signing up for.

And I actually love, you still get to love Jack because you start off with love, but now you're like, oh, this is what I signed up for. Like I signed up for more than I actually knew that I was signing up for.

Right.

Right.

Right.

Yeah.

Yeah.

Yeah.

Absolutely, absolutely. So like that, I think is a great springboard into three because we solve the sort of mystery of how Jack passes away, but they introduce new things as well. What's this whole Vietnam thing? What's the situation with this brother, right? Like what happened in the war with this brother? What's gonna happen in the future?

Absolutely, absolutely. So like that, I think is a great springboard into three because we solve the sort of mystery of how Jack passes away, but they introduce new things as well. What's this whole Vietnam thing? What's the situation with this brother, right? Like what happened in the war with this brother? What's gonna happen in the future?

Absolutely, absolutely. So like that, I think is a great springboard into three because we solve the sort of mystery of how Jack passes away, but they introduce new things as well. What's this whole Vietnam thing? What's the situation with this brother, right? Like what happened in the war with this brother? What's gonna happen in the future?

So, and it goes back to that question that we said to Dan, is the drama in and of itself enough? And I think we as actors, that's the thing that we enjoy digging into, is just sort of like the character. But in terms of a narrative, like he gives you that and. And the and is the engine that really keeps people being like, what is going to happen?

So, and it goes back to that question that we said to Dan, is the drama in and of itself enough? And I think we as actors, that's the thing that we enjoy digging into, is just sort of like the character. But in terms of a narrative, like he gives you that and. And the and is the engine that really keeps people being like, what is going to happen?

So, and it goes back to that question that we said to Dan, is the drama in and of itself enough? And I think we as actors, that's the thing that we enjoy digging into, is just sort of like the character. But in terms of a narrative, like he gives you that and. And the and is the engine that really keeps people being like, what is going to happen?