Chris Sullivan

Brown gonna help sister out.

But Brown would say, hey, tell me when we cutting so I can walk my black ass out this water.

Don't just have it be going or whatnot.

And she said, I'm probably going to cut before you even get to this part.

And you know how directors do it.

They say, uh-huh.

Brown's just walking out.

Head is almost in the water.

He's like, thought you was going to call cut.

And they're like, it just looks so good, SK.

I'm sorry.

I'm like, OK.

Freezing.

He's fine.

Were you, in terms of the directing process, were you ultimately happy?

Were you overwhelmed?

Were you a little bit of everything throughout the process?

How did it feel being behind the helm?

Two things that I thought were really well done in terms of the writing was the question that Randall had, which I think the audience has is like, all right, if she were alive, then how come she didn't reach out to your boy?

Like how come, like there's all this time that sort of existed between the time in which he actually passed away and that I've been alive, the idea that she didn't come through.