Chris Terry

So Jenny did a bunch of cues and I did a bunch of cues.

Yeah, Jennifer Rohkamp.

Yep.

who's always fantastic and has worked on a number of our shows, and she's just, like, always great.

Really, really great.

Sure, sure.

Yes.

So I don't know if a lot of people know.

I don't feel like we haven't talked a ton about this on Rewind.

But when you're doing a show of this level and doing the sound design and the mixing and all the sort of stuff, you're also in some ways also a composer because what you're doing is you're taking all the music that's composed and we break that up into all of its elements, right?

So that cue might not have actually expressly been written before.

But, you know, myself or Jonathan or whoever's doing the show might take it and put together by pulling stuff from other cues to create that cue for that moment.

So you have to also be a really good musician in order to pull that stuff off.

And Jonathan is also a musician and also a composer.

So along with it's kind of all of these things, you're holding all these balls in the air kind of at once.

You know, composition, sound design, the mix, the way that the voices are going and all that kind of stuff.

So it's...

You know, it's hard to find and be able to test like in TV and film, like those are all individual jobs.

So with us, it's one person, you know.

And so needless to say, those people are hard to find.