Chuck

Right, exactly. So you put all those together and that's your motivation for figuring out some impression management. Again, this is the ones where you're like actually giving thought to it.

Right, exactly. So you put all those together and that's your motivation for figuring out some impression management. Again, this is the ones where you're like actually giving thought to it.

In impression construction, how you actually carry this stuff out, they broke into five little parts. One is your self-concept, right? So you're going to base how you carry this out on how you feel you are. So you're starting with your authentic self, ideally, right? Yeah. Because people value authenticity. People don't want to just keep up a lie. Again, that's a half-hour sitcom right there.

In impression construction, how you actually carry this stuff out, they broke into five little parts. One is your self-concept, right? So you're going to base how you carry this out on how you feel you are. So you're starting with your authentic self, ideally, right? Yeah. Because people value authenticity. People don't want to just keep up a lie. Again, that's a half-hour sitcom right there.

In impression construction, how you actually carry this stuff out, they broke into five little parts. One is your self-concept, right? So you're going to base how you carry this out on how you feel you are. So you're starting with your authentic self, ideally, right? Yeah. Because people value authenticity. People don't want to just keep up a lie. Again, that's a half-hour sitcom right there.

Because it always crumbles. It always crumbles, everybody, in real life and on sitcoms.

Because it always crumbles. It always crumbles, everybody, in real life and on sitcoms.

Because it always crumbles. It always crumbles, everybody, in real life and on sitcoms.

Right. Exactly. So your self-concept is where you're going to start and you're going to kind of draw from that. Imagine a big steamer trunk on stage that Carrot Top's going through just pulling a bunch of props out of. That's what you're doing when you first start to figure this out. That's going through the steamer trunk of your self-concept.

Right. Exactly. So your self-concept is where you're going to start and you're going to kind of draw from that. Imagine a big steamer trunk on stage that Carrot Top's going through just pulling a bunch of props out of. That's what you're doing when you first start to figure this out. That's going through the steamer trunk of your self-concept.

Right. Exactly. So your self-concept is where you're going to start and you're going to kind of draw from that. Imagine a big steamer trunk on stage that Carrot Top's going through just pulling a bunch of props out of. That's what you're doing when you first start to figure this out. That's going through the steamer trunk of your self-concept.

The entire world.

The entire world.

The entire world.

All the world's a stage, and we are merely keratops.

All the world's a stage, and we are merely keratops.

All the world's a stage, and we are merely keratops.

Right. So you might really try to distance yourself from something you don't want to identify with.

Right. So you might really try to distance yourself from something you don't want to identify with.

Right. So you might really try to distance yourself from something you don't want to identify with.