Cody Schneider

And it just, from that, you just create, yeah, I talk about this all the time, but it's like, I'm trying to create digital gravity, right? Like for brands and for self and for all of this, it's just as much digital mass on the internet as possible to create as much digital gravity as you can as possible. And, this is another vehicle for that.

And it just, from that, you just create, yeah, I talk about this all the time, but it's like, I'm trying to create digital gravity, right? Like for brands and for self and for all of this, it's just as much digital mass on the internet as possible to create as much digital gravity as you can as possible. And, this is another vehicle for that.

If you're that person, hate listening this deep into this, I'm so proud of you. I want that energy. Yeah, it's like, what are you doing?

If you're that person, hate listening this deep into this, I'm so proud of you. I want that energy. Yeah, it's like, what are you doing?

If you're that person, hate listening this deep into this, I'm so proud of you. I want that energy. Yeah, it's like, what are you doing?

You don't like us. That's when you know you actually made it, though. I love this quote. It was from this runner. I can't remember her name, but she's like, if somebody doesn't hate you, you aren't even in the game. I think that that's so true. You're not even playing or you're not at the highest level unless there's a subset of people that just despise your existence.

You don't like us. That's when you know you actually made it, though. I love this quote. It was from this runner. I can't remember her name, but she's like, if somebody doesn't hate you, you aren't even in the game. I think that that's so true. You're not even playing or you're not at the highest level unless there's a subset of people that just despise your existence.

You don't like us. That's when you know you actually made it, though. I love this quote. It was from this runner. I can't remember her name, but she's like, if somebody doesn't hate you, you aren't even in the game. I think that that's so true. You're not even playing or you're not at the highest level unless there's a subset of people that just despise your existence.

A thousand percent, man. It's just a character at that point. Like, you know, not being Tucker Carlson, you have to play that dude. I don't think he believes any of that shit. The Zins piece, that's the East for sure. He's on, I think he's aligned on the Zins, but everything else, it's like, you know, this is this character you're playing, but. Man, I think it's interesting though.

A thousand percent, man. It's just a character at that point. Like, you know, not being Tucker Carlson, you have to play that dude. I don't think he believes any of that shit. The Zins piece, that's the East for sure. He's on, I think he's aligned on the Zins, but everything else, it's like, you know, this is this character you're playing, but. Man, I think it's interesting though.

A thousand percent, man. It's just a character at that point. Like, you know, not being Tucker Carlson, you have to play that dude. I don't think he believes any of that shit. The Zins piece, that's the East for sure. He's on, I think he's aligned on the Zins, but everything else, it's like, you know, this is this character you're playing, but. Man, I think it's interesting though.

Like you also have to think about it. Like you'd want to bring these differing, like it's like different tempos. Like that's actually what good writing is. Is it's like the, you know, it's that, I think they call it perplexity and burstiness. And it's like, you're like short sentence, long one. you know, short, short, long, long. And it's like creating this kind of like variety.

Like you also have to think about it. Like you'd want to bring these differing, like it's like different tempos. Like that's actually what good writing is. Is it's like the, you know, it's that, I think they call it perplexity and burstiness. And it's like, you're like short sentence, long one. you know, short, short, long, long. And it's like creating this kind of like variety.

Like you also have to think about it. Like you'd want to bring these differing, like it's like different tempos. Like that's actually what good writing is. Is it's like the, you know, it's that, I think they call it perplexity and burstiness. And it's like, you're like short sentence, long one. you know, short, short, long, long. And it's like creating this kind of like variety.

And that's like one language, like oration. When you look at it, like that's the, how it's like the composition of it and why it sounds good. And it moves us, et cetera. It's like music, right? It's like, it actually is music. And I think when you have this variety of people on, you create like, it's like different, you know, almost rhythms that are happening in different pacing.

And that's like one language, like oration. When you look at it, like that's the, how it's like the composition of it and why it sounds good. And it moves us, et cetera. It's like music, right? It's like, it actually is music. And I think when you have this variety of people on, you create like, it's like different, you know, almost rhythms that are happening in different pacing.

And that's like one language, like oration. When you look at it, like that's the, how it's like the composition of it and why it sounds good. And it moves us, et cetera. It's like music, right? It's like, it actually is music. And I think when you have this variety of people on, you create like, it's like different, you know, almost rhythms that are happening in different pacing.

You're the baseline that's just constantly going. And like, for you, I feel like from the out, you know, outside looking in, it's like, okay, how do I bring these like ridiculous, almost like, Oh, and manic like people onto the show that are like, they're going to play the solos or whatever on this top level.

You're the baseline that's just constantly going. And like, for you, I feel like from the out, you know, outside looking in, it's like, okay, how do I bring these like ridiculous, almost like, Oh, and manic like people onto the show that are like, they're going to play the solos or whatever on this top level.

You're the baseline that's just constantly going. And like, for you, I feel like from the out, you know, outside looking in, it's like, okay, how do I bring these like ridiculous, almost like, Oh, and manic like people onto the show that are like, they're going to play the solos or whatever on this top level.