Conan O'Brien

It's so oppositional. Everyone's opposed to him and he's opposed to everyone in the universe. And it's, I think, one of the things that's magic about the show. And also you can see how much of it is the George Costanza character in Seinfeld is constantly creating his own misery in this particular way, separate from the other characters. He's creating his own misery constantly, which is very Larry.

It's so oppositional. Everyone's opposed to him and he's opposed to everyone in the universe. And it's, I think, one of the things that's magic about the show. And also you can see how much of it is the George Costanza character in Seinfeld is constantly creating his own misery in this particular way, separate from the other characters. He's creating his own misery constantly, which is very Larry.

It's so oppositional. Everyone's opposed to him and he's opposed to everyone in the universe. And it's, I think, one of the things that's magic about the show. And also you can see how much of it is the George Costanza character in Seinfeld is constantly creating his own misery in this particular way, separate from the other characters. He's creating his own misery constantly, which is very Larry.

To me, it's like if you came up with a comedy idea and someone would go like, yeah, that's cute. That was like being shot in the groin. And not in a good way. I want to make sure that I talk about this because you've written a book which could be of help to people, which is how to write a funny speech.

To me, it's like if you came up with a comedy idea and someone would go like, yeah, that's cute. That was like being shot in the groin. And not in a good way. I want to make sure that I talk about this because you've written a book which could be of help to people, which is how to write a funny speech.

To me, it's like if you came up with a comedy idea and someone would go like, yeah, that's cute. That was like being shot in the groin. And not in a good way. I want to make sure that I talk about this because you've written a book which could be of help to people, which is how to write a funny speech.

You say for a wedding, bar mitzvah, graduation and every other event you didn't want to go to in the first place.

You say for a wedding, bar mitzvah, graduation and every other event you didn't want to go to in the first place.

You say for a wedding, bar mitzvah, graduation and every other event you didn't want to go to in the first place.

And your foreword is by none other than Carol Burnett. How did you pull that off?

And your foreword is by none other than Carol Burnett. How did you pull that off?

And your foreword is by none other than Carol Burnett. How did you pull that off?

She's a magical person.

She's a magical person.

She's a magical person.

Would not be me. No. What is this about again? Conan, we've talked seven times. No, it's really lovely that you got her to do it. And the advice in here is very smart, good advice for people. I think about how to be funny if you're going to give a speech. The most important is length. Yes. And I can't tell you how many times I have witnessed someone, they get their laugh.

Would not be me. No. What is this about again? Conan, we've talked seven times. No, it's really lovely that you got her to do it. And the advice in here is very smart, good advice for people. I think about how to be funny if you're going to give a speech. The most important is length. Yes. And I can't tell you how many times I have witnessed someone, they get their laugh.

Would not be me. No. What is this about again? Conan, we've talked seven times. No, it's really lovely that you got her to do it. And the advice in here is very smart, good advice for people. I think about how to be funny if you're going to give a speech. The most important is length. Yes. And I can't tell you how many times I have witnessed someone, they get their laugh.

And you're like, good, good. And then they keep going. Right.

And you're like, good, good. And then they keep going. Right.