Coy Jandreau

Was there anyone that got like shifted?

Was there anyone that got like shifted?

Was there anyone that got like shifted?

Joker and I was like oh my god like I didn't even think of that so cool that's so fun because of the Joker's inherent nature to just like impulsively intrude in story yeah like that the Joker theme also happened at you I know like the Joker does it's that's that's a good point that's really fun I like that I know I know and sometimes when you're just

Joker and I was like oh my god like I didn't even think of that so cool that's so fun because of the Joker's inherent nature to just like impulsively intrude in story yeah like that the Joker theme also happened at you I know like the Joker does it's that's that's a good point that's really fun I like that I know I know and sometimes when you're just

Joker and I was like oh my god like I didn't even think of that so cool that's so fun because of the Joker's inherent nature to just like impulsively intrude in story yeah like that the Joker theme also happened at you I know like the Joker does it's that's that's a good point that's really fun I like that I know I know and sometimes when you're just

I liked you had to externalize it and then get another perspective to see what it was actually going to end up being. That's really unique. That's a lot of fun. I know. Now, this is a really unique medium that is you mentioned earlier how sometimes in projects, music tends to feel like it's going to drift to the background or it can't be in the foreground.

I liked you had to externalize it and then get another perspective to see what it was actually going to end up being. That's really unique. That's a lot of fun. I know. Now, this is a really unique medium that is you mentioned earlier how sometimes in projects, music tends to feel like it's going to drift to the background or it can't be in the foreground.

I liked you had to externalize it and then get another perspective to see what it was actually going to end up being. That's really unique. That's a lot of fun. I know. Now, this is a really unique medium that is you mentioned earlier how sometimes in projects, music tends to feel like it's going to drift to the background or it can't be in the foreground.

And this is so foreground, so music forward, which I love, like the soundscape here, the the musical soundscape versus the production design versus the voice work, like all of them are the leads. Was there anything in this medium that you found challenging because you became a leading part of the front of the experience?

And this is so foreground, so music forward, which I love, like the soundscape here, the the musical soundscape versus the production design versus the voice work, like all of them are the leads. Was there anything in this medium that you found challenging because you became a leading part of the front of the experience?

And this is so foreground, so music forward, which I love, like the soundscape here, the the musical soundscape versus the production design versus the voice work, like all of them are the leads. Was there anything in this medium that you found challenging because you became a leading part of the front of the experience?

And it's super cinematic like that. That's so much scope. Again, the grandiose like Batman. There's so much energy. Yeah. Big there. So I went through this each issue of year one a different way because I wanted to experiment. So sure. I listened to it with like four foot calf speakers. And then I dove in, which I loved. That was that was a thing, man.

And it's super cinematic like that. That's so much scope. Again, the grandiose like Batman. There's so much energy. Yeah. Big there. So I went through this each issue of year one a different way because I wanted to experiment. So sure. I listened to it with like four foot calf speakers. And then I dove in, which I loved. That was that was a thing, man.

And it's super cinematic like that. That's so much scope. Again, the grandiose like Batman. There's so much energy. Yeah. Big there. So I went through this each issue of year one a different way because I wanted to experiment. So sure. I listened to it with like four foot calf speakers. And then I dove in, which I loved. That was that was a thing, man.

As a vinyl head, I was like, what is this going to do? And then I sat down in my car because I wanted to see what it was like with like different audio arrangement. And then I sat down with some nice Harman Kardon headphones. And then the last time I did it with the pages.

As a vinyl head, I was like, what is this going to do? And then I sat down in my car because I wanted to see what it was like with like different audio arrangement. And then I sat down with some nice Harman Kardon headphones. And then the last time I did it with the pages.

As a vinyl head, I was like, what is this going to do? And then I sat down in my car because I wanted to see what it was like with like different audio arrangement. And then I sat down with some nice Harman Kardon headphones. And then the last time I did it with the pages.

So issue four for me was really cool because that was the first time I added the visual and the entire motorcycle sequence, which I could I could describe from memory was new again. Wow. And so for me, it is a repeat viewing experience. But I'd love to know for you, is there a moment for me at the motorcycle me go in like this is a gift because I got to relive my childhood. Yeah.

So issue four for me was really cool because that was the first time I added the visual and the entire motorcycle sequence, which I could I could describe from memory was new again. Wow. And so for me, it is a repeat viewing experience. But I'd love to know for you, is there a moment for me at the motorcycle me go in like this is a gift because I got to relive my childhood. Yeah.