Coy Jandreau

DC High Volume Batman has this incredible audio force to it. And I have to imagine when you find out you're doing something like Batman, what's your first thought making a story set in Gotham in the greater world of Batman?

DC High Volume Batman has this incredible audio force to it. And I have to imagine when you find out you're doing something like Batman, what's your first thought making a story set in Gotham in the greater world of Batman?

Yeah, it's just so freaking cool. So coming in and getting the ground floor approach, like you get to build the foundation, especially because as you're saying, the music gets to be such a focal point of the experience. Were there core ideas or references that you knew day one? And were there any that developed over time? Yeah.

Yeah, it's just so freaking cool. So coming in and getting the ground floor approach, like you get to build the foundation, especially because as you're saying, the music gets to be such a focal point of the experience. Were there core ideas or references that you knew day one? And were there any that developed over time? Yeah.

Yeah, it's just so freaking cool. So coming in and getting the ground floor approach, like you get to build the foundation, especially because as you're saying, the music gets to be such a focal point of the experience. Were there core ideas or references that you knew day one? And were there any that developed over time? Yeah.

There's a scale and a scope that is implied in Gothic. And that's interesting. Like Batman also has that, the gravitas of Batman feels like a church. Yeah, it totally. Yeah. That's a good point. And I hear that, and I also love that his characters feel like an orchestra. When you've got certain Batman characters, I've always loved the psychology of Batman, to me, feeling mirrored in his rogues.

There's a scale and a scope that is implied in Gothic. And that's interesting. Like Batman also has that, the gravitas of Batman feels like a church. Yeah, it totally. Yeah. That's a good point. And I hear that, and I also love that his characters feel like an orchestra. When you've got certain Batman characters, I've always loved the psychology of Batman, to me, feeling mirrored in his rogues.

There's a scale and a scope that is implied in Gothic. And that's interesting. Like Batman also has that, the gravitas of Batman feels like a church. Yeah, it totally. Yeah. That's a good point. And I hear that, and I also love that his characters feel like an orchestra. When you've got certain Batman characters, I've always loved the psychology of Batman, to me, feeling mirrored in his rogues.

And to me, there are the goals of his villains mirroring who he'd be if he was a lesser man. So to me, if he'd gone to politics, Two-Face, if he'd gone to more of the fun side, Catwoman, that to them. But to me, the way you play these themes is that with the orchestra.

And to me, there are the goals of his villains mirroring who he'd be if he was a lesser man. So to me, if he'd gone to politics, Two-Face, if he'd gone to more of the fun side, Catwoman, that to them. But to me, the way you play these themes is that with the orchestra.

And to me, there are the goals of his villains mirroring who he'd be if he was a lesser man. So to me, if he'd gone to politics, Two-Face, if he'd gone to more of the fun side, Catwoman, that to them. But to me, the way you play these themes is that with the orchestra.

So I'm wondering if there are certain characters you knew right away, strings, brass, like were there characters like, I think they sound like this. Oh man.

So I'm wondering if there are certain characters you knew right away, strings, brass, like were there characters like, I think they sound like this. Oh man.

So I'm wondering if there are certain characters you knew right away, strings, brass, like were there characters like, I think they sound like this. Oh man.

You want it to be linear. So it is an immediate connotation. Like you're like, oh, that does sound like blank.

You want it to be linear. So it is an immediate connotation. Like you're like, oh, that does sound like blank.

You want it to be linear. So it is an immediate connotation. Like you're like, oh, that does sound like blank.

Did any theme or motif change or surprise you because you realized it actually felt more like another character? Like one that wasn't as linear, one that wasn't as direct. But say you're working on like a character, you know, going through infidelity and you're like, oh, that doesn't quite sound mischievous enough, but I might be able to save that for another thing. Yeah.

Did any theme or motif change or surprise you because you realized it actually felt more like another character? Like one that wasn't as linear, one that wasn't as direct. But say you're working on like a character, you know, going through infidelity and you're like, oh, that doesn't quite sound mischievous enough, but I might be able to save that for another thing. Yeah.

Did any theme or motif change or surprise you because you realized it actually felt more like another character? Like one that wasn't as linear, one that wasn't as direct. But say you're working on like a character, you know, going through infidelity and you're like, oh, that doesn't quite sound mischievous enough, but I might be able to save that for another thing. Yeah.