Coy Jandreau

Did you use the frames as like storyboards for your work?

So I've listened to this three ways and I love talking to people about their experience of absorbing it. I listened to it as I'm multitasking, driving or doing something active because I think you use a different part of your brain for that. I also love listening to it. I've got these crazy Kef speakers that are floor standards that I just position myself like that. hi-fi ad. What was it? Maxell?

So I've listened to this three ways and I love talking to people about their experience of absorbing it. I listened to it as I'm multitasking, driving or doing something active because I think you use a different part of your brain for that. I also love listening to it. I've got these crazy Kef speakers that are floor standards that I just position myself like that. hi-fi ad. What was it? Maxell?

So I've listened to this three ways and I love talking to people about their experience of absorbing it. I listened to it as I'm multitasking, driving or doing something active because I think you use a different part of your brain for that. I also love listening to it. I've got these crazy Kef speakers that are floor standards that I just position myself like that. hi-fi ad. What was it? Maxell?

Yeah. Just like listening to high volume. And then I also love doing the multitasking of either a physical comic or using DC Universe Infinite and listening and going through. Do you have a listening favorite?

Yeah. Just like listening to high volume. And then I also love doing the multitasking of either a physical comic or using DC Universe Infinite and listening and going through. Do you have a listening favorite?

Yeah. Just like listening to high volume. And then I also love doing the multitasking of either a physical comic or using DC Universe Infinite and listening and going through. Do you have a listening favorite?

Yeah, I love that there's so much versatility with this work.

Yeah, I love that there's so much versatility with this work.

Yeah, I love that there's so much versatility with this work.

Thank you, man. I really, like I said, I love this character. That moment on the leap that clearly meant so much to you as well is something that I will always have is like, this is brand new and something I could recite, but I get to have it a new way. So thank you so much for that work.

Thank you, man. I really, like I said, I love this character. That moment on the leap that clearly meant so much to you as well is something that I will always have is like, this is brand new and something I could recite, but I get to have it a new way. So thank you so much for that work.

Thank you, man. I really, like I said, I love this character. That moment on the leap that clearly meant so much to you as well is something that I will always have is like, this is brand new and something I could recite, but I get to have it a new way. So thank you so much for that work.

Love talking to Jay Paulson. His raw emotionality is so apparent in all this work. I really love his connection to Jim Gordon and especially his note about his kids and how you could feel that with Jim Gordon and his kid in year one. That really meant a lot to me.

Love talking to Jay Paulson. His raw emotionality is so apparent in all this work. I really love his connection to Jim Gordon and especially his note about his kids and how you could feel that with Jim Gordon and his kid in year one. That really meant a lot to me.

Love talking to Jay Paulson. His raw emotionality is so apparent in all this work. I really love his connection to Jim Gordon and especially his note about his kids and how you could feel that with Jim Gordon and his kid in year one. That really meant a lot to me.

Speaking of a man who understands emotionality, who brings so much emotion to these characters, we've got Sam Ewing, the composer for all things DC high volume. Let's bring out Sam. We are sitting down with Sam Ewing. You've heard his music on The Walking Dead, on God of War Ragnarok. He's the composer on DC High Volume Batman. How you doing, man? I'm good. This is awesome. Thanks for having me.

Speaking of a man who understands emotionality, who brings so much emotion to these characters, we've got Sam Ewing, the composer for all things DC high volume. Let's bring out Sam. We are sitting down with Sam Ewing. You've heard his music on The Walking Dead, on God of War Ragnarok. He's the composer on DC High Volume Batman. How you doing, man? I'm good. This is awesome. Thanks for having me.

Speaking of a man who understands emotionality, who brings so much emotion to these characters, we've got Sam Ewing, the composer for all things DC high volume. Let's bring out Sam. We are sitting down with Sam Ewing. You've heard his music on The Walking Dead, on God of War Ragnarok. He's the composer on DC High Volume Batman. How you doing, man? I'm good. This is awesome. Thanks for having me.

DC High Volume Batman has this incredible audio force to it. And I have to imagine when you find out you're doing something like Batman, what's your first thought making a story set in Gotham in the greater world of Batman?