Craig Mazin

And then the next word, I think, is, and if. And if the guy that killed my mother and my sister had gotten away... I would have gone after him and never given up. That if is a big if because we'd like to think that we can do things in circumstances. We like to think we would have certain feelings. We like to think that.

And then the next word, I think, is, and if. And if the guy that killed my mother and my sister had gotten away... I would have gone after him and never given up. That if is a big if because we'd like to think that we can do things in circumstances. We like to think we would have certain feelings. We like to think that.

But then circumstances have a way of crashing in and making things actually quite difficult. Moral questions as hypotheses are safe to ponder. When you have the information... And the information tells you there is no moral victory here. None. But a choice must be made. That's where the hard stuff happens. So Dina has a kind of privileged position.

But then circumstances have a way of crashing in and making things actually quite difficult. Moral questions as hypotheses are safe to ponder. When you have the information... And the information tells you there is no moral victory here. None. But a choice must be made. That's where the hard stuff happens. So Dina has a kind of privileged position.

She gets to imagine the way she would have behaved had she not shot that guy if he had gotten away. But Ellie doesn't have that privilege. Ellie only has fact. Now, when Dina gets all the facts, if she gets all the facts, remains to be seen. We'll see if that if changes for her.

She gets to imagine the way she would have behaved had she not shot that guy if he had gotten away. But Ellie doesn't have that privilege. Ellie only has fact. Now, when Dina gets all the facts, if she gets all the facts, remains to be seen. We'll see if that if changes for her.

yeah the worst kind so little production background that plant is an abandoned i guess no longer used dairy plant in british columbia and i wandered in there with our locations he was like well i mean it smells very bad in here and we're also shooting in here for sure um

yeah the worst kind so little production background that plant is an abandoned i guess no longer used dairy plant in british columbia and i wandered in there with our locations he was like well i mean it smells very bad in here and we're also shooting in here for sure um

What was kind of funny is every day we would walk through this kind of section that we weren't going to use because it was just sort of a bit bland and warehouse-y looking. And in those bland, warehouse-y looking rooms were dozens and dozens of enormous crates full of... saved props, costumes, and stage design stuff from Shogun. What? Yeah, because Shogun had, they got to store stuff.

What was kind of funny is every day we would walk through this kind of section that we weren't going to use because it was just sort of a bit bland and warehouse-y looking. And in those bland, warehouse-y looking rooms were dozens and dozens of enormous crates full of... saved props, costumes, and stage design stuff from Shogun. What? Yeah, because Shogun had, they got to store stuff.

You know, I think they probably knew like, hey, this show's pretty good. I mean, I bet we get another season of this. We should save some of these boats and swords. But this space was fantastic because we could use its size and its silence.

You know, I think they probably knew like, hey, this show's pretty good. I mean, I bet we get another season of this. We should save some of these boats and swords. But this space was fantastic because we could use its size and its silence.

The dynamic has been from the start and really clearly back when Dina shows up at Ellie's garage and says, here's how we're getting to Seattle. You don't know what you're doing. I do. I'm smart. I plan. Follow me. She's doing it again.

The dynamic has been from the start and really clearly back when Dina shows up at Ellie's garage and says, here's how we're getting to Seattle. You don't know what you're doing. I do. I'm smart. I plan. Follow me. She's doing it again.

But very quickly, when they realize what's going on, and when we realize what's going on, which is, okay, we dealt with one stalker in the supermarket in episode one. One. And Ellie lost.

But very quickly, when they realize what's going on, and when we realize what's going on, which is, okay, we dealt with one stalker in the supermarket in episode one. One. And Ellie lost.

Right? If she's not the one immune person in the world, she's dead. Or rather, she's infected. Now there's 11 of them? The dynamic here... Changes completely. Planning doesn't matter anymore. Planning's done. Thinking is done. Dina, you take a backseat. Ellie, you drive. And when Ellie drives, the plan is all Joel. This is a full Joel moment as far as I'm concerned for Ellie.

Right? If she's not the one immune person in the world, she's dead. Or rather, she's infected. Now there's 11 of them? The dynamic here... Changes completely. Planning doesn't matter anymore. Planning's done. Thinking is done. Dina, you take a backseat. Ellie, you drive. And when Ellie drives, the plan is all Joel. This is a full Joel moment as far as I'm concerned for Ellie.

We see how, like, what did Gail say to Tommy? I think if they were walking the same path, they've been walking side by side from the very start.

We see how, like, what did Gail say to Tommy? I think if they were walking the same path, they've been walking side by side from the very start.