Dan Farah

This is the base commander telling me this on camera to my face.

He also said they took away something in crates the next day on this airplane, and he never got clarity on what it was.

And the third thing that he revealed that I don't think anyone's ever talked about with Randlesham is he revealed that the day after the event, he went and talked to the people in the communications room, the old school wires in the mall and stuff.

And the head of the communications on the base told him that the entire night of the event, while he was out in the woods dealing with the event –

The whole base was on communication lockdown.

All lines were shut down except the direct line between the base and the White House, which it's called.

I believe I believe I don't mess this up, but I believe it's called flash override, which is only used for nuclear war or imminent threat of nuclear war.

So like the most extreme circumstances where you need a direct line between the base and the president.

Yeah.

So one of the unfortunate things I had to cut for time, hardest thing about making this movie, man, was my director's cut was like four hours and I had to get this down to something that was like consumable.

I did think about it.

What about a director's cut?

Would you ever do that?

I'll think about doing that.

Or maybe let's do a sequel.

Maybe let's do a follow-up and put some of the stuff that is a bridge too far into the next thing once the table's been set.

Look, it's definitely been a consuming endeavor, this movie.

I mean, this thing has consumed my life for four years.

And I had to, you know, it's a whole other conversation, but I had to make this movie in secrecy.

Because at the offset, when I started getting real intelligence officials to lean in, they told me to my face.