Dan Farah

I just felt for this film, it was a bridge too far and we could get to that point next.

I think I was really trying to make a movie that was not just for people who are already completely immersed in this topic and interested in it.

I wanted to make it for the everyman so that the average person could understand this is a real and serious situation.

And I do feel like that mission was accomplished, especially in how it led to this directive from Trump.

I feel like the average person seeing 34 really credible military government intelligence officials and people like Rubio and Cinder Rounds and Gillibrand and White House National Security Council members, alongside generals and admirals,

I do think it just makes a massive impact on people.

The average person.

I want to think about my folks in Jersey in their mid-70s who've never watched any documentary on this topic.

Then they watch this, and all of a sudden, like, whoa, this is real.

You think about those normal people, the normies, as you said.

That's who I was making the movie for.

And I think now that the average person is aware that this is real, I think we can get to those other, you know, content, whether it's documentaries or whether it's scripted movies or whether it's...

whether it's just news program specials.

Yeah, I'd like to, and I'd like to.

I enjoyed making the film, and I enjoyed the process of making an impact.

Oh, yeah.

This was the hardest creative process of my entire life.

As a producer, I've built from the ground up a bunch of movies and TV shows, including Ready Player One.

I developed that from the very beginning when we just had the book to start with, the book by Ernest Cline.

And developing movies and TV shows is hard.