Dan Fogelman

And there's a rhythm where she's like, where you go, you're the best. And he says, I try. And the scripted line response was, no, you don't. Like meaning try, no, you don't even try. And that's what makes you. But it was like the third time you had complimented him in the scene. And I remember thinking, it's getting too much.

It's getting like, we're saying out loud that Jack's a superhero like four times in a four minute span, right before he's going to die. And so I just left it at, I try and just took a look from you where you shook your head with a cute smile. And it was like, it's like 80 billion of those little decisions of what makes a TV show.

It's getting like, we're saying out loud that Jack's a superhero like four times in a four minute span, right before he's going to die. And so I just left it at, I try and just took a look from you where you shook your head with a cute smile. And it was like, it's like 80 billion of those little decisions of what makes a TV show.

It's getting like, we're saying out loud that Jack's a superhero like four times in a four minute span, right before he's going to die. And so I just left it at, I try and just took a look from you where you shook your head with a cute smile. And it was like, it's like 80 billion of those little decisions of what makes a TV show.

But I noticed it when I was rewatching going, something's a little odd about that rhythm. I'm like, oh, I'm missing a scripted line that I'm still somehow... Like, vestigially remembering. Wow. Yeah. But so it's like, but then you make 20 of those decisions. You go, when is it too much? Like, Sterling's very light in this episode. And like, when does it get too silly? You know what I mean?

But I noticed it when I was rewatching going, something's a little odd about that rhythm. I'm like, oh, I'm missing a scripted line that I'm still somehow... Like, vestigially remembering. Wow. Yeah. But so it's like, but then you make 20 of those decisions. You go, when is it too much? Like, Sterling's very light in this episode. And like, when does it get too silly? You know what I mean?

But I noticed it when I was rewatching going, something's a little odd about that rhythm. I'm like, oh, I'm missing a scripted line that I'm still somehow... Like, vestigially remembering. Wow. Yeah. But so it's like, but then you make 20 of those decisions. You go, when is it too much? Like, Sterling's very light in this episode. And like, when does it get too silly? You know what I mean?

Like, when do you want to, like, it's, and that's what editorial is for me.

Like, when do you want to, like, it's, and that's what editorial is for me.

Like, when do you want to, like, it's, and that's what editorial is for me.

Well, we have great editors who now know what I like and we're simpatico in terms of like that rhythm. And it's all of it. It's the show feels that way because Yasu shot it that way. John and Glenn directed it that way. The performances feel like that. The dialogue feels rhythmic. It's not just me. It's like a lot of people like making the same thing, you know?

Well, we have great editors who now know what I like and we're simpatico in terms of like that rhythm. And it's all of it. It's the show feels that way because Yasu shot it that way. John and Glenn directed it that way. The performances feel like that. The dialogue feels rhythmic. It's not just me. It's like a lot of people like making the same thing, you know?

Well, we have great editors who now know what I like and we're simpatico in terms of like that rhythm. And it's all of it. It's the show feels that way because Yasu shot it that way. John and Glenn directed it that way. The performances feel like that. The dialogue feels rhythmic. It's not just me. It's like a lot of people like making the same thing, you know?

Excellent, excellent montage.

Excellent, excellent montage.

Excellent, excellent montage.

Build a home. To build a home. To build a home, yeah.

Build a home. To build a home. To build a home, yeah.

Build a home. To build a home. To build a home, yeah.

That was Vera, our writer. She found that song? No, at the very beginning of the show, I said, have you heard this song? And as soon as I heard it, I go, that's going to be what's playing as the house burns down. And then after I fell in love with it and after I edited it, someone said, you know, they use that very famously in Grey's Anatomy. And I was like, shit, I'm too attached.