Dave Rogers

And he also this is very sweet. Part of it was with the pandemic going on. There was not a lot of work. This was like, you know, he's like, oh, this will keep Dave busy. So that was, you know, part of the thing, because we had worked. You know, right before that, I had done Upload season one and we went right into Space Force. You know, so I was working on these two shows. It was great.

You know, we had great casts on Upload. Space Force was amazing to be with Steve Carell again. Yeah. And then, you know, and then that was it. It was winding down in March. We were. we were at home at that point, you know, editing remotely, uh, doing visual effects as the pandemic hit. So it was a few months later, I think it was June of 2020 when, uh, Greg first, you know, talked about it.

You know, we had great casts on Upload. Space Force was amazing to be with Steve Carell again. Yeah. And then, you know, and then that was it. It was winding down in March. We were. we were at home at that point, you know, editing remotely, uh, doing visual effects as the pandemic hit. So it was a few months later, I think it was June of 2020 when, uh, Greg first, you know, talked about it.

You know, we had great casts on Upload. Space Force was amazing to be with Steve Carell again. Yeah. And then, you know, and then that was it. It was winding down in March. We were. we were at home at that point, you know, editing remotely, uh, doing visual effects as the pandemic hit. So it was a few months later, I think it was June of 2020 when, uh, Greg first, you know, talked about it.

And, uh, and Peacock was like, yep, go ahead. Let's go do whatever you need. And, uh, so we got together with, uh, you know, I got Rob Burnett who was, uh, my, he was one of my assistant editors on the office and he's become an editor, uh, unto himself now. I mean, he's great. He did the Mindy Project, AP Bio, Upload, Space Force. And so he works with me on these episodes.

And, uh, and Peacock was like, yep, go ahead. Let's go do whatever you need. And, uh, so we got together with, uh, you know, I got Rob Burnett who was, uh, my, he was one of my assistant editors on the office and he's become an editor, uh, unto himself now. I mean, he's great. He did the Mindy Project, AP Bio, Upload, Space Force. And so he works with me on these episodes.

And, uh, and Peacock was like, yep, go ahead. Let's go do whatever you need. And, uh, so we got together with, uh, you know, I got Rob Burnett who was, uh, my, he was one of my assistant editors on the office and he's become an editor, uh, unto himself now. I mean, he's great. He did the Mindy Project, AP Bio, Upload, Space Force. And so he works with me on these episodes.

And he preps the stuff, but also cuts. And we send stuff back and forth just as editors. Like I say, hey, what do you think of this? And he'll say, yeah, this, this, this. And then he'll send stuff to me. And I'm like, yeah, this is good. I would tweak this a little, things like that. But we've got all the old projects. So we're back into the, I don't know, I'm just excited.

And he preps the stuff, but also cuts. And we send stuff back and forth just as editors. Like I say, hey, what do you think of this? And he'll say, yeah, this, this, this. And then he'll send stuff to me. And I'm like, yeah, this is good. I would tweak this a little, things like that. But we've got all the old projects. So we're back into the, I don't know, I'm just excited.

And he preps the stuff, but also cuts. And we send stuff back and forth just as editors. Like I say, hey, what do you think of this? And he'll say, yeah, this, this, this. And then he'll send stuff to me. And I'm like, yeah, this is good. I would tweak this a little, things like that. But we've got all the old projects. So we're back into the, I don't know, I'm just excited.

It's me and Rob. And then we have a couple of assistant editors, Dan Ross and Josh Toomey. And then on the post side, like we have Britt Irwin, who was one of our post supervisors on the office and Eric Colgen's involved. So he's kind of nebulous. He started with us and then he kind of floats around every now and then I see like a bill that he paid for or something like that. But it's just us.

It's me and Rob. And then we have a couple of assistant editors, Dan Ross and Josh Toomey. And then on the post side, like we have Britt Irwin, who was one of our post supervisors on the office and Eric Colgen's involved. So he's kind of nebulous. He started with us and then he kind of floats around every now and then I see like a bill that he paid for or something like that. But it's just us.

It's me and Rob. And then we have a couple of assistant editors, Dan Ross and Josh Toomey. And then on the post side, like we have Britt Irwin, who was one of our post supervisors on the office and Eric Colgen's involved. So he's kind of nebulous. He started with us and then he kind of floats around every now and then I see like a bill that he paid for or something like that. But it's just us.

And then Greg checks in and Howard Klein checks in. But they just trust us at this point. It's like to, you know, go through the material. And I could tell you more about that process. But it is – it's a skeleton crew putting the stuff together. And then – and we can talk about the finishing though because we have – you know, we online these shows.

And then Greg checks in and Howard Klein checks in. But they just trust us at this point. It's like to, you know, go through the material. And I could tell you more about that process. But it is – it's a skeleton crew putting the stuff together. And then – and we can talk about the finishing though because we have – you know, we online these shows.

And then Greg checks in and Howard Klein checks in. But they just trust us at this point. It's like to, you know, go through the material. And I could tell you more about that process. But it is – it's a skeleton crew putting the stuff together. And then – and we can talk about the finishing though because we have – you know, we online these shows.

So they look – we want them to look seamless from the original ones. Yeah. We have sound mixes and VFX, and it's our same sound mix team, John Cook at Blue Wave, who did The Office. It's, you know, the same guys, Bobby Maxton from The Office, you know, same guys working on the show.

So they look – we want them to look seamless from the original ones. Yeah. We have sound mixes and VFX, and it's our same sound mix team, John Cook at Blue Wave, who did The Office. It's, you know, the same guys, Bobby Maxton from The Office, you know, same guys working on the show.

So they look – we want them to look seamless from the original ones. Yeah. We have sound mixes and VFX, and it's our same sound mix team, John Cook at Blue Wave, who did The Office. It's, you know, the same guys, Bobby Maxton from The Office, you know, same guys working on the show.

Yeah. The first thing I do is watch the show. I take the episode and I watch the broadcast version.