Dave Rogers

Yeah. The first thing I do is watch the show. I take the episode and I watch the broadcast version.

Yeah. The first thing I do is watch the show. I take the episode and I watch the broadcast version.

And then I watch the deleted scenes. Okay. And I watch – and again, even that, we had deleted scenes that were on the DVDs and even we had deleted scenes that were on NBC. So even just –

And then I watch the deleted scenes. Okay. And I watch – and again, even that, we had deleted scenes that were on the DVDs and even we had deleted scenes that were on NBC. So even just –

And then I watch the deleted scenes. Okay. And I watch – and again, even that, we had deleted scenes that were on the DVDs and even we had deleted scenes that were on NBC. So even just –

Most of the time they overlapped, but NBC always had – the website always had less than the DVD. That's where we would put more stuff. So I'll watch the DVDs. But then I'll go into the assembly and I'll watch the first cut of the assembly and the director's cut. And what I'll do is I have a dupe detector. So I can throw the assembly in in the timeline. Let me know if I'm getting too technical.

Most of the time they overlapped, but NBC always had – the website always had less than the DVD. That's where we would put more stuff. So I'll watch the DVDs. But then I'll go into the assembly and I'll watch the first cut of the assembly and the director's cut. And what I'll do is I have a dupe detector. So I can throw the assembly in in the timeline. Let me know if I'm getting too technical.

Most of the time they overlapped, but NBC always had – the website always had less than the DVD. That's where we would put more stuff. So I'll watch the DVDs. But then I'll go into the assembly and I'll watch the first cut of the assembly and the director's cut. And what I'll do is I have a dupe detector. So I can throw the assembly in in the timeline. Let me know if I'm getting too technical.

Okay.

Okay.

Okay.

So I throw the cut in and we have the, you know, we have the online master, which is the, you know, the picture. And then I have all of the tracks underneath all the original dailies and the audio tracks that we did that we, you know, and some of this, the audio is like temp. It's not, this isn't the mix track. We have that also.

So I throw the cut in and we have the, you know, we have the online master, which is the, you know, the picture. And then I have all of the tracks underneath all the original dailies and the audio tracks that we did that we, you know, and some of this, the audio is like temp. It's not, this isn't the mix track. We have that also.

So I throw the cut in and we have the, you know, we have the online master, which is the, you know, the picture. And then I have all of the tracks underneath all the original dailies and the audio tracks that we did that we, you know, and some of this, the audio is like temp. It's not, this isn't the mix track. We have that also.

There's so many, but we had them all backed up. So, I mean, that's the thing. We're back in our old projects. I was cursing. I was like, damn it, Dean Holland didn't label this episode like the scenes. You can see mine are all clean. We started having some uniformity early on.

There's so many, but we had them all backed up. So, I mean, that's the thing. We're back in our old projects. I was cursing. I was like, damn it, Dean Holland didn't label this episode like the scenes. You can see mine are all clean. We started having some uniformity early on.

There's so many, but we had them all backed up. So, I mean, that's the thing. We're back in our old projects. I was cursing. I was like, damn it, Dean Holland didn't label this episode like the scenes. You can see mine are all clean. We started having some uniformity early on.

I was like, look, we got to – because if we're jumping into each other's projects, I got to be able to see what scene is this and you got to know what scene. Right, right. We would laugh.

I was like, look, we got to – because if we're jumping into each other's projects, I got to be able to see what scene is this and you got to know what scene. Right, right. We would laugh.

I was like, look, we got to – because if we're jumping into each other's projects, I got to be able to see what scene is this and you got to know what scene. Right, right. We would laugh.