David Mamet

What's the new thing?

What's the new thing?

Yeah, I wrote this play, Glen Gary, Glen Ross, and I did it as a movie, and I put in this extra scene for Alec Baldwin that says coffee is foreclosures. It's all everybody remembers about the stupid- It's funny.

Yeah, I wrote this play, Glen Gary, Glen Ross, and I did it as a movie, and I put in this extra scene for Alec Baldwin that says coffee is foreclosures. It's all everybody remembers about the stupid- It's funny.

Yeah, I wrote this play, Glen Gary, Glen Ross, and I did it as a movie, and I put in this extra scene for Alec Baldwin that says coffee is foreclosures. It's all everybody remembers about the stupid- It's funny.

Yeah, that's great. And what everybody loves, everybody loves, everybody adores you.

Yeah, that's great. And what everybody loves, everybody loves, everybody adores you.

Yeah, that's great. And what everybody loves, everybody loves, everybody adores you.

Oh, wait a second. Everybody in this fucking room. So my producer calls me up today. Fuck off, man. My producer calls up. He says, Dave, you've been doing this forever. I don't want to tell you your business, but don't forget to plug the movie.

Oh, wait a second. Everybody in this fucking room. So my producer calls me up today. Fuck off, man. My producer calls up. He says, Dave, you've been doing this forever. I don't want to tell you your business, but don't forget to plug the movie.

Oh, wait a second. Everybody in this fucking room. So my producer calls me up today. Fuck off, man. My producer calls up. He says, Dave, you've been doing this forever. I don't want to tell you your business, but don't forget to plug the movie.

The movie's called. We'll do it later. Yeah, okay, later. We do it later. We don't do it now. We'll do it fucking later. But here's the thing. In the movie, he's got a line. He plays a prisoner. And the other guy, Evan Jonakite, who is the guy who he's turning out as now, is punk, says, but how do you know all this shit? And his line is, baby, I do this for a living.

The movie's called. We'll do it later. Yeah, okay, later. We do it later. We don't do it now. We'll do it fucking later. But here's the thing. In the movie, he's got a line. He plays a prisoner. And the other guy, Evan Jonakite, who is the guy who he's turning out as now, is punk, says, but how do you know all this shit? And his line is, baby, I do this for a living.

The movie's called. We'll do it later. Yeah, okay, later. We do it later. We don't do it now. We'll do it fucking later. But here's the thing. In the movie, he's got a line. He plays a prisoner. And the other guy, Evan Jonakite, who is the guy who he's turning out as now, is punk, says, but how do you know all this shit? And his line is, baby, I do this for a living.

So that's, everybody's talking about that.

So that's, everybody's talking about that.

So that's, everybody's talking about that.

See, that's the thing. A lot of movies, most of the people who make movies never see their movie with a live audience. None of the executives do. What they're doing is completely theoretical because you've got to sit in the audience and say, where did the attention fade? Why? And how can I fix it? Because if not, what the hell are you doing?

See, that's the thing. A lot of movies, most of the people who make movies never see their movie with a live audience. None of the executives do. What they're doing is completely theoretical because you've got to sit in the audience and say, where did the attention fade? Why? And how can I fix it? Because if not, what the hell are you doing?

See, that's the thing. A lot of movies, most of the people who make movies never see their movie with a live audience. None of the executives do. What they're doing is completely theoretical because you've got to sit in the audience and say, where did the attention fade? Why? And how can I fix it? Because if not, what the hell are you doing?