David Marchese

Original music by Dan Powell, Rowan Nemisto, and Marion Lozano.

Photography by Philip Montgomery.

Our senior booker is Priya Matthew, and Seth Kelly is our senior producer.

Our executive producer is Alison Benedict.

Video of this interview was produced by Paola Neudorf.

Cinematography by Zebediah Smith, with additional camera work by Andrew Smith and Thomas Trudeau.

Audio by Nick Pittman.

It was edited by Caroline Kim.

Brooke Minters is the executive producer of podcast video.

Special thanks to Rory Walsh, Renan Barelli, Jeffrey Miranda, Nick Pittman, Matty Macielo, Jake Silverstein, Paula Schumann, and Sam Dolnick.

Next week, Lulu talks with journalist Tina Brown about the Royals, Jeffrey Epstein, and how the magazine world has changed since her days editing Vanity Fair and The New Yorker in the 80s and 90s.

I'm David Marchese, and this is The Interview from The New York Times.

From the New York Times, this is The Interview.

I'm David Marchese.

In so many of Sir Anthony Hopkins' greatest performances, he's able to suggest captivating hidden depths to his characters.

That's true whether he's playing a murderer like Hannibal Lecter or a kindly doctor like he did in The Elephant Man.

There's always a sense that these men are thinking and feeling things that, for whatever reason, they're keeping to themselves.

The same can no longer be said for Hopkins.

In his new autobiography, We Did Okay, Kid, the 87-year-old shares the details of his rough youth in Wales, his painful estrangement from his only child, a daughter from his first marriage, and his rise to Hollywood success.

The book also reveals a man who isn't content to merely recount what happened and when.