David Mervik

It's probably an insufferable part of a composer and a sound designer's job where you're like, hey, we made these changes, by the way, because the game wasn't playing well enough or people weren't scared enough. Here you go. So now you've got to change everything. And I laugh about it. I don't take it that lightly, but it is like that.

It's probably an insufferable part of a composer and a sound designer's job where you're like, hey, we made these changes, by the way, because the game wasn't playing well enough or people weren't scared enough. Here you go. So now you've got to change everything. And I laugh about it. I don't take it that lightly, but it is like that.

And from my point of view as well, you look at what you've got and you're like, but this can be better.

And from my point of view as well, you look at what you've got and you're like, but this can be better.

And from my point of view as well, you look at what you've got and you're like, but this can be better.

and we have to be that way until they drag it out the door so you know yeah Tobias is right audio does trail by necessity not completely you know if there's something that you have to prove and it's very much wound up with audio then you would probably just get something tempish to get it in to get that feeling but the actual final audio pass the whole thing has to exist first you know and

and we have to be that way until they drag it out the door so you know yeah Tobias is right audio does trail by necessity not completely you know if there's something that you have to prove and it's very much wound up with audio then you would probably just get something tempish to get it in to get that feeling but the actual final audio pass the whole thing has to exist first you know and

and we have to be that way until they drag it out the door so you know yeah Tobias is right audio does trail by necessity not completely you know if there's something that you have to prove and it's very much wound up with audio then you would probably just get something tempish to get it in to get that feeling but the actual final audio pass the whole thing has to exist first you know and

It's painful, but we have to make this the best it can be before it gets taken off us and given to you.

It's painful, but we have to make this the best it can be before it gets taken off us and given to you.

It's painful, but we have to make this the best it can be before it gets taken off us and given to you.

Twin Peaks Fire Walk with me. Oh, okay. Yeah. All right. Interesting. Nothing leaves me more shaken. I mean, it's probably another five I could list, but that one, 100%, so good.

Twin Peaks Fire Walk with me. Oh, okay. Yeah. All right. Interesting. Nothing leaves me more shaken. I mean, it's probably another five I could list, but that one, 100%, so good.

Twin Peaks Fire Walk with me. Oh, okay. Yeah. All right. Interesting. Nothing leaves me more shaken. I mean, it's probably another five I could list, but that one, 100%, so good.

I did, yeah. But the thing I liked most about that was the soundtrack. I had high hopes for that film, and it just didn't do it for me enough. Oh, my. Wow. I'm surprised to hear that. I'm with you on that one, Murph.

I did, yeah. But the thing I liked most about that was the soundtrack. I had high hopes for that film, and it just didn't do it for me enough. Oh, my. Wow. I'm surprised to hear that. I'm with you on that one, Murph.

I did, yeah. But the thing I liked most about that was the soundtrack. I had high hopes for that film, and it just didn't do it for me enough. Oh, my. Wow. I'm surprised to hear that. I'm with you on that one, Murph.

Midsommar. You guys are breaking my heart right now. The opening 20 minutes of Midsommar was fantastic. Oh, yes. All right.

Midsommar. You guys are breaking my heart right now. The opening 20 minutes of Midsommar was fantastic. Oh, yes. All right.

Midsommar. You guys are breaking my heart right now. The opening 20 minutes of Midsommar was fantastic. Oh, yes. All right.