David Sedaris

Her audience, her peers rather, grew up online and they fucking are brutal.

Her audience, her peers rather, grew up online and they fucking are brutal.

Her audience, her peers rather, grew up online and they fucking are brutal.

Yeah. Amy Schumer, it's the same thing. People are just brutal. Amy Schumer has a new movie.

Yeah. Amy Schumer, it's the same thing. People are just brutal. Amy Schumer has a new movie.

Yeah. Amy Schumer, it's the same thing. People are just brutal. Amy Schumer has a new movie.

But it was funny. And then people like, you know, I wanted to write like, really? I thought it was really funny. But then I thought, when do I become a part of the whole cycle?

But it was funny. And then people like, you know, I wanted to write like, really? I thought it was really funny. But then I thought, when do I become a part of the whole cycle?

But it was funny. And then people like, you know, I wanted to write like, really? I thought it was really funny. But then I thought, when do I become a part of the whole cycle?

Yeah, yeah. It was written 20 years ago. It was? More than 20 years ago. And Ian Falconer did the pictures, but it was for a project of cartoons for kids that the art director for The New Yorker put together. And then a couple of years ago, she decided to bring it out as a book. Ian died a couple of months before the book came out.

Yeah, yeah. It was written 20 years ago. It was? More than 20 years ago. And Ian Falconer did the pictures, but it was for a project of cartoons for kids that the art director for The New Yorker put together. And then a couple of years ago, she decided to bring it out as a book. Ian died a couple of months before the book came out.

Yeah, yeah. It was written 20 years ago. It was? More than 20 years ago. And Ian Falconer did the pictures, but it was for a project of cartoons for kids that the art director for The New Yorker put together. And then a couple of years ago, she decided to bring it out as a book. Ian died a couple of months before the book came out.

We're poor kids. I mean, everybody. Look at every children's book. There's a message and it's not doing any good. There's still us. Like, look at these adults.

We're poor kids. I mean, everybody. Look at every children's book. There's a message and it's not doing any good. There's still us. Like, look at these adults.

We're poor kids. I mean, everybody. Look at every children's book. There's a message and it's not doing any good. There's still us. Like, look at these adults.

What was the message of brain eggs and ham? I didn't know the message.

What was the message of brain eggs and ham? I didn't know the message.

What was the message of brain eggs and ham? I didn't know the message.

Well, You know, it's interesting to me, too, the reviews of children's books now in Publishers Weekly and Kirkus, which are publications that review new books. And it was so interesting. It said characters' skin color is the same as the page because they all review the books for diversity. What color are the people and how many? That's a consideration. I don't read children's books, you know.

Well, You know, it's interesting to me, too, the reviews of children's books now in Publishers Weekly and Kirkus, which are publications that review new books. And it was so interesting. It said characters' skin color is the same as the page because they all review the books for diversity. What color are the people and how many? That's a consideration. I don't read children's books, you know.