Deborah Treisman

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982 appearances 5 recordings 1 series first heard May 2026 last heard 1 Sep

Deborah Treisman’s voice in public audio — every appearance, attributed to the second.

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Recordings per month over the last 12 months — 5 in all, peaking in Sep 2026 with 1.

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The recipient of a fellowship from the Virginia Commission for the Arts and a Mary Roberts Reinhardt Award for short fiction, she published stories in The New Yorker, Fiction, and Other Voices.
From 2005 to 2009, Kaufman curated The Happy Booker, a Washington, D.C.
based book blog.
Min Jin Lee, a recipient of the Fitzgerald Prize for Literary Excellence, is the author of three novels: Free Food for Millionaires, Pachinko, which was a finalist for the National Book Award in 2017.
And American Hagwan, which was excerpted in The New Yorker and comes out this month.
You can download more than 230 previous episodes of the New Yorker Fiction Podcast, or subscribe to the podcast for free in Apple Podcasts.
On the Writer's Voice Podcast, you can hear short stories from the magazine read by their authors.
You can find the Writer's Voice and other New Yorker podcasts on your podcast app.
Tell us what you thought of this program on our Facebook page, or rate and review us in Apple Podcasts.
This episode of the New Yorker Fiction Podcast was produced by John LeMay.
I'm Deborah Driesman.
Thanks for listening.
This is the New Yorker Fiction Podcast from the New Yorker magazine.
I'm Deborah Treisman, fiction editor at the New Yorker.
Each month we invite a writer to choose a story from the magazine's archives to read and discuss.
This month we're going to hear Man-Eating Cats by Haruki Murakami, which was translated from the Japanese by Philip Gabriel and appeared in the New Yorker in December of 2000.
The story was chosen by Mohsin Hamid, who is the author of five novels, including Exit West, which appeared on the New York Times 100 Best Books of the 21st Century list, and The Last White Man, which came out in 2022.
Hi, Mohsin.
So the last time you were here, you read a story by Jorge Luis Borges, and this time it's Murakami.
I'm wondering if, for you, there's some kind of through line between the two of them or something similar about them that appeals to you, or if they appeal to completely different aspects of your reading life.
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