Dichen Lachman

And I think Ben, I don't know if you remember, but we were on a call. I think it was about my hair, but we also ended up talking about the character.

And I was like, she's like a doe, you know. So I sort of worked with that animal. And Ben, really, you helped me. me build this character and dan you know like you guys led me through that right all right it's time for us to take a quick break and we'll be right back

And I was like, she's like a doe, you know. So I sort of worked with that animal. And Ben, really, you helped me. me build this character and dan you know like you guys led me through that right all right it's time for us to take a quick break and we'll be right back

And I was like, she's like a doe, you know. So I sort of worked with that animal. And Ben, really, you helped me. me build this character and dan you know like you guys led me through that right all right it's time for us to take a quick break and we'll be right back

How much longer do I have to do this?

How much longer do I have to do this?

How much longer do I have to do this?

I mean, it was incredible. And Jess was really, she really wanted to explore her being kind of like a defiant teenager, you know? And I mean, she's such, she's so incredibly talented.

I mean, it was incredible. And Jess was really, she really wanted to explore her being kind of like a defiant teenager, you know? And I mean, she's such, she's so incredibly talented.

I mean, it was incredible. And Jess was really, she really wanted to explore her being kind of like a defiant teenager, you know? And I mean, she's such, she's so incredibly talented.

Yeah, it was great. I loved how loose she was with like, oh, let's just do it this way. And she really knows how to just like push forward. And I think maybe it's from her experience working like a lot in the independent film space. Sometimes you can work with people who are very regimented within like a studio structure or whatever, but I never felt like that on this show ever.

Yeah, it was great. I loved how loose she was with like, oh, let's just do it this way. And she really knows how to just like push forward. And I think maybe it's from her experience working like a lot in the independent film space. Sometimes you can work with people who are very regimented within like a studio structure or whatever, but I never felt like that on this show ever.

Yeah, it was great. I loved how loose she was with like, oh, let's just do it this way. And she really knows how to just like push forward. And I think maybe it's from her experience working like a lot in the independent film space. Sometimes you can work with people who are very regimented within like a studio structure or whatever, but I never felt like that on this show ever.

Like there's just seemed to be so much time to explore and experiment and Ben, obviously she's worked with you, you know, a number of times. And I think her directing style, I feel like she's learned a lot from you because she just really wanted to, like you do, try lots of different things.

Like there's just seemed to be so much time to explore and experiment and Ben, obviously she's worked with you, you know, a number of times. And I think her directing style, I feel like she's learned a lot from you because she just really wanted to, like you do, try lots of different things.

Like there's just seemed to be so much time to explore and experiment and Ben, obviously she's worked with you, you know, a number of times. And I think her directing style, I feel like she's learned a lot from you because she just really wanted to, like you do, try lots of different things.

Oh, yeah. Okay. Or the other way around.

Oh, yeah. Okay. Or the other way around.

Oh, yeah. Okay. Or the other way around.

Themes of religious conversion in Tolstoy's The Death of Ivan Ilyich.