Dichen Lachman

speaker
73 appearances 1 recordings 1 series first heard Feb 2025 last heard Feb 2025

Dichen Lachman’s voice in public audio — every appearance, attributed to the second.

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But would you take movies off the shelf and go home and watch them?
And who are the filmmakers that you loved that made you say, I want to do this?
Yeah, and I feel like when we went from Dannemora, which was very much 70s inspired for the vibe of it, even though it took place in present day, when we went into Severance, there was also kind of a similar influence that was from a very different genre.
You're being so much nicer to me on this podcast than you are in real life about my operating.
Right. It is very lonely directing, I find, because ultimately it's a subjective choice that you're making and you can look around to everybody. But at the end of the day, it's your choice.
I wanted to shoot on film. Yeah.
And it was at the very end, and spring was coming, and the leaves were on the trees.
I mean, it had that kind of feeling of that starkness and that beauty and gives it this unique quality that was very important because this is the only time we're ever really seeing Mark and Gemma's relationship in the past.
Yeah. And a different time, you know, I also thought, you know, just in terms of visual storytelling, you know, how you blocked and came up with even the scene where Mark's sitting alone and the police come up, you know, what a tough scene to have to figure out how to shoot.
Cause it's a scene we've seen a million times in movies and TV shows and not have it seem cheesy or cliche and the way that you did it with no dialogue. Just seeing the police taking their hats off.
Yeah, for sure. I mean, it's a combination of these visuals that are very technically, you know, kind of crazy to pull off. And also just this pure, simple emotion. The shot going down through the center console down to the testing floor, that was one of your little sort of... Side projects?
I mean, we could get into the rain on Mark.
And the way you use it in that shot where you see the light, you hear the footsteps. but you don't see the person is very specific and I think really cool.
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