Dr. Allan Schore

But if attachment is a reunion after a separation,

But if attachment is a reunion after a separation,

come home there's that dog sitting there literally and immediately you're down regulating the day you have now taken off the whole left hemisphere and our whole stresses of all of that and you're now shifting left into right and we use the mechanisms that are available to do that and music is one of the ways to do that so in some sense music is an auto regulation although music can be live music and then it's more than that so that's the case

come home there's that dog sitting there literally and immediately you're down regulating the day you have now taken off the whole left hemisphere and our whole stresses of all of that and you're now shifting left into right and we use the mechanisms that are available to do that and music is one of the ways to do that so in some sense music is an auto regulation although music can be live music and then it's more than that so that's the case

come home there's that dog sitting there literally and immediately you're down regulating the day you have now taken off the whole left hemisphere and our whole stresses of all of that and you're now shifting left into right and we use the mechanisms that are available to do that and music is one of the ways to do that so in some sense music is an auto regulation although music can be live music and then it's more than that so that's the case

There have been studies to show that during a performance performance, there is a synchrony, there are synchronized states between the performer and the audience. And it's certainly, they're all, you can have thousands of people literally in that same synchronized state at that point in time.

There have been studies to show that during a performance performance, there is a synchrony, there are synchronized states between the performer and the audience. And it's certainly, they're all, you can have thousands of people literally in that same synchronized state at that point in time.

There have been studies to show that during a performance performance, there is a synchrony, there are synchronized states between the performer and the audience. And it's certainly, they're all, you can have thousands of people literally in that same synchronized state at that point in time.

The right brain is more connected into the body than the left brain.

The right brain is more connected into the body than the left brain.

The right brain is more connected into the body than the left brain.

There has been ongoing dialogue between us for some time. But Ian talks about that the right brain literally is much more connected into the body and incidentally is also more dominant for will. Unconscious will is more important than conscious will. which you kind of, at the very beginning, we were talking about the left versus the right.

There has been ongoing dialogue between us for some time. But Ian talks about that the right brain literally is much more connected into the body and incidentally is also more dominant for will. Unconscious will is more important than conscious will. which you kind of, at the very beginning, we were talking about the left versus the right.

There has been ongoing dialogue between us for some time. But Ian talks about that the right brain literally is much more connected into the body and incidentally is also more dominant for will. Unconscious will is more important than conscious will. which you kind of, at the very beginning, we were talking about the left versus the right.

There's a classical work by an analyst by the name of Manuel Hammer, and he was talking about how to reach the affect. And what he suggested is that there are certain moments in the session when literally my body, in order to pick up the communications of the patient, I lean back. I'm not leaning forward. I lean back and let the atmosphere literally come over me, so to speak.

There's a classical work by an analyst by the name of Manuel Hammer, and he was talking about how to reach the affect. And what he suggested is that there are certain moments in the session when literally my body, in order to pick up the communications of the patient, I lean back. I'm not leaning forward. I lean back and let the atmosphere literally come over me, so to speak.

There's a classical work by an analyst by the name of Manuel Hammer, and he was talking about how to reach the affect. And what he suggested is that there are certain moments in the session when literally my body, in order to pick up the communications of the patient, I lean back. I'm not leaning forward. I lean back and let the atmosphere literally come over me, so to speak.

But notice here, what I'm talking about, what the therapist is attempting to do is to make an emotional connection, an empathic connection. And in order to make an empathic connection, You're leaning back. You're leaning back. And literally, as you lean back, all of a sudden, you're able to pick up things and hear things that you didn't see before, so to speak.

But notice here, what I'm talking about, what the therapist is attempting to do is to make an emotional connection, an empathic connection. And in order to make an empathic connection, You're leaning back. You're leaning back. And literally, as you lean back, all of a sudden, you're able to pick up things and hear things that you didn't see before, so to speak.

But notice here, what I'm talking about, what the therapist is attempting to do is to make an emotional connection, an empathic connection. And in order to make an empathic connection, You're leaning back. You're leaning back. And literally, as you lean back, all of a sudden, you're able to pick up things and hear things that you didn't see before, so to speak.